He might not be that well-known, at least outside his home country, but young Polish (now located in the UK?) multi-instrumentalist Kolan performs under several monikers. He’s the guy behind projects such as Antisemitex, Defenders Of Europe, Severe Storm or Bustum (solo or as instrumentalist), and quite recently he also started an outfit under the name Odour Of Death.
Hass Weg Productions
Lyon is a very old French city (founded by the Romans more than two millennia ago), at the feet of the Alpes, and not that far away from the Swiss border. The city has a beautiful ancient centre, several acceptable wine houses (it’s there where Rhône and Saone ‘melt’ together), and it houses the head office of Interpol. Lyon also is home to LeibStandarte (not the Greek one), a young formation that recorded and independently released a very limited three-track demo in 2017. FYI: the tracks from that demonstrational recording return on their debut.
First this: Aux Portes De La Mort (‘at the gates of death’) was released on February 12th 2010, but the scroll-down menu does not go back that far. But once again: 2010!
You know (or you do not – what do I care anyway) that I have never disliked writing a review for older stuff. I do it with pleasure 1) to be grateful and to pay tribute to the band or label that send me that older stuff, and 2) when I think that this material is worth deserving some (of mine) additional support and promotion whatsoever. Quite the same goes for this review. It deals with the hateful French horde DUX and their peaceful recording Vintras.
I did never hide my dedication for Nordic styled Black Metal.
I did never hide my appreciation for R., the very sympathetic guy behind Hass Weg Productions.
I did never hide my preference for that French label I just mentioned.
Why these three phrases? Well, for Hass Weg Productions release about nothing else but true Second Wave-oriented Black Glory Supremacy! And this time, well, what do you think…
The Polish horde Aryman was formed at the very beginning of this century, but initially it was a band without name, without an aim (besides playing Black Metal!), without any official and professional recording or release. I guess it was in 2006 when main members Nefarius and Non Serviam decided to baptise their sonic brainchild as Aryman.
In a couple of days I will publish the review for Khaospath’s …For The Devil Speaks The Truth, their latest record, released via Belgium’s Immortal Frost Productions (don’t miss it!), but first I’ll focus on the former full length by these Swedes (actually, the origins lie in Malta). I know that this is an ‘older’ recording in mean time, but then again: it is never, and I repeat: NEVER, too late to give some additional promotion and attention to great material!
I knew a Texas-based Thrash band called Pendulum (it was a long time ago), and it was the moniker as well in the earliest years for Carpathian Full Moon, but this review deals with a French act, nowadays coming from the city of Nantes, in the West of France, at the border of the Loire river (a region known for some highly agreeable Muscadet wines, but that’s irrelevant right here).
Quite an active act from Ukraine is Nocturnal Amentia, formed at the beginning of this century in the Lugansk area. The band released four full albums in mean time (the last one being released a couple of months ago via Cold Breath Of Silence), and they contributed on two splits; one with UK’s Black Grave, and another one with fellow countrymen of Underdark (sharing a member, by the way [*]).
Aquila is a solo-outfit by Atheosoph, whom you might know from his collaboration in (sadly defunct) Rein (review for their sole album La Cocaïne Des Seigneurs: see update of March 5th 2016). Under the Aquila-moniker, Atheosoph recorded a first demo-tape, Les Larmes De L’Aigle (‘tears of the eagle’), which was released in a limited edition in September 2014 via Werewolf Promotion.