When Black Metal was born almost four decades ago (!), Greece was one of the protagonists, yet largely underestimated. Throughout the years, the Hellenic scene remained of high importance, but they never reached the same fame as, let’s say, the Scandinavian countries. Of course, there are some exceptions, but I am not going to come up with a list of ‘known’ (read: popular) band from out there. You know who they are…
Cadaveris are a band from the centre of the Russian Federation, and it is one that seems to exist for quite some time. Despite being formed in 2010, there were no official releases – until now.
El Salvador is not the hugest country when it comes to Extreme Metal, but it houses some interesting bands for sure. One within quite an impressive list must be Disorder, band that was formed almost two and a half decades ago. The band was active, especially in their local scene (Latin America), and in 2002 they independently released their great debut Voces De La Tumba. Unfortunately, some members decided to form a new act (Dreamlore), so Disorder split up short after the release of their first full length.
Astarium is the solo-outfit of Nikolay ‘SiN’ Sikeritsky, who also runs NitroAtmosfericum Records. I wrote several reviews in the past for Concreteweb about Astarium (as well as for NitroAtmosfericum Records), and as you can see (enter the band’s name in ‘search’ or go to ‘reviews sorted by artist’), I deeply like the refreshing approach of this act.
Moribundo are a young band from Spain, formed in 2014 by multi-instrumentalist Juanpa ‘Evilead’ Pérez (also known from bands like Elderdawn, Bizarre and Nangilima) and lyricist Justo ‘Mortvs Vyrr’ Arganda (who does not ‘sing’ himself).
Last weekend I listened once again to Ectoplasm. Damn, it remains one of the best things within its genre. Then I realised that I did never write or publish a review on that album. Though, if I would have some end year’s list for 2016, this specific release would absolutely be part of my top-10 from that very same year. So, I was wondering: why not writing something about that album anyway?
My wife sometimes pretends that there’s something wrong with me, mentally, because of my muSICKal choices. Then I beat her up when playing Abruptum out loud, but actually she might be right. You know, I have never hidden my appreciation for Cody Maillet and his Cryostasium outfit, so that might be a proof of my dear wife’s statement, I guess.
The moniker Pimeydentuoja reeks of Finnish stench, and indeed this is a band from the Land of a Thousand Lakes, and more specific from the Vaasa-region at the Bothnian Gulf. The band was formed at the very end of last decade, and in 2012 drummer Fördärv aka Krig V.A., bass player / guitarist Iva aka They Agony, and choirboy / lyricist Herr Razer aka Dödfödd came up with their first official demo, Black Goat Psalm.
A short review, this time. And yes, I know this compilation was released more than a year ago, in the meantime, but so what?...
This review deals with the fourth volume within Darknagar Records’ series that pays tribute to the huge, yet sometimes underestimated Death Metal scene from Russia. Seen the title, you smartass was aware of that, of course…
Agonia Black Vomit are dwelling around for about a decade. This duo, being Marco ‘Pesten’ Bomboi (also in e.g. Tundra) and Marco ‘Agonia’ Rosati (think Zedher / Zedher’s Coffin or Nailed God), created a first album, called Satanic Black Vomit, which was released in 2011 via Mexico’s Black Cult Records (hey guys, are you still around?).