Flynotes are a band from Saint Petersburg, Russia, which was formed in 2010. In 2011, they released a first full-length studio album, Our Zoo, followed in 2013 by a second self-released album, called Shiva Telescopes. After some silence, the band returned in 2016 with a digital EP, The Smell Of Space, and very recently, with a renewed line-up, Flynotes release Child In The Woods, once again independently released.
This is not my first review for Alphaxone, a project by Mehdi Saleh, who originates from Iran. You can find out some enthusiastic descriptions for Echoes From Outer Silence or the collaboration with ProtoU, called Stardust, both released via Cryo Chamber; and I did refer to this project in my reviews for the compilations Heresy and Visions Of Darkness too. If interested, you know where to find it.
I used to be a ‘fan’ of Sol Invictus, but then I am talking about the project by Death In June’s Tony Wakeford (and apparently they reformed once more – but that is another thing). Another band with this moniker will be my next Sol Invictus adoration.
As you do know (or not, but then you will as from now on, so keep reading), Frozen Light are a label with many aural angles, yet always with ‘obscurity’ in mind. Of course, it is not different for this third recording by Italian act Zoloft Evra.
When you’re in the mood for some unhappiness, you must pay attention. As you might know, a taiga is a vast landscape in Arctic and Subarctic regions on our sweet World, with forests and desolate plains, the silence of nature, the absence of joy, the representation of man’s futile existence. As a misanthropic philosopher (or is it a philosophising misanthropist?) such places aren’t but brain candy to me...
Hailing from Belarus, Pa Vesh En are a mysterious project that started quite recently. After two demo tapes, which were released on Germany’s finest Iron Bonehead Productions, this one-man army now offers a first 7”EP on vinyl. A Ghost comes with two new pieces (both clocking about seven minutes each), which are available as well digitally.
Yesss! That was my first thought when I heard, about one year ago, that there would be a new Satanath album out soon. There are two main reasons to explain my enthusiasm.
Since a couple of years, I am the sole reviewer for Concreteweb. No further comment on the reasons, especially after the passing away of my great friend - and devoted Music-fan - Dirk, who started this webzine at the end of last century. Some left because of personal issues, some because of emotional connections, and several were just assholes, dickheads, selfish and stupid humans. Homo f*cking sapiens indeed, way too important to get no physical stuff anymore, yet just digital – aaargh, don’t let me start about those f*****…
Last year I was sort of surprised positively by Cream, a two-tracker released on tape and digitally via the Italian label SØVN Records. it was a huge contrast to another tape by Jessop&Co., Skin Blade, which was released about half a year earlier, this time via Spain’s finest Craneal Fracture Records. I will come back to that release immediately. First a short introduction on the band.
Very recently I came in touch with a new label, based in Boston, MA, US of A. Main reason was the cassette release of a new EP by Cryostasium, a unique love-it-or-hate-it one-man orchestra by Cody Maillet. I will come back to this immediately. Yet first I want to express my astonishment yet huge respect for the label, and this because of its raison d’être. Fish Prints was started just a couple of months ago by Cody’s twin brother Thor, releasing ‘curious sounds, past and present’.