On April 10th I published another review for Raison D’Être, this time for the collaboration called XIBIPIIO – In And Out Of Experience, created with another notorious artist, Germany’s Troum (http://www.concreteweb.be/reviews/raison-dêtre-troum). It was released via Peter Andersson’s own label Yantra Atmospheres, and via Transgredient Records, a sub-division of Drone Records.
Moribundo are a young band from Spain, formed in 2014 by multi-instrumentalist Juanpa ‘Evilead’ Pérez (also known from bands like Elderdawn, Bizarre and Nangilima) and lyricist Justo ‘Mortvs Vyrr’ Arganda (who does not ‘sing’ himself).
Aorlhac are an act from France, and more specific from Auvergne and Aurillac. The band is named after the (old) Occitan name for the city of Aurillac, and must be pronounced as ‘our-yuck’ or something. It’s the Occitan history too that inspires the members, and the rich heritance of this region’s history. Aorlhac were active in between 2007 and 2010, and they started a trilogy about their roots.
On March 27th 2018 I published a review for the re-mastered release of Atra Vetosus’ debut album From The Eternal Night, which deserved some additional attention, at least in order to promote this band’s newest full-length album, Apricity.
I had not heard of them before, but apparently Shattered Sigh are active for more than a decade. They were formed as Black Whirlpool in 2006, and in 2010 they changed their moniker into the current one. Investigation, however, taught me that it was not that strange at all that I did not know them. There was only one official release until now: 2011’s untitled demo with songs written when the band was still known under their former moniker. Then things went silent, until last year.
Mekigah are a solo-outfit (in the earliest days, it was a duo) by Vis Ortis, who has been helped once again by a whole horde of same-minded session musicians for this successor of 2014’s Litost, amongst whom Black Rhino / Serpent Pig’s Leith Carnie, who took care of production and mix of this album as well, Yippie Brain’s Thomas K.
The scene from India is not exactly where we refer to when thinking about Extreme Metal. When it comes to labels, my knowledge is limited to one hand full of labels worth mentioning (Metal Masala, Cyclopean Eye Productions, Tormented Whores Of Da’ath Records (unfortunately defunct) and, of course, mighty Transcending Obscurity Records (owned by the fantastic guy Kunal), are those who dwell within my memory [and collection]).
Some weeks ago, I came in touch with the very sympathetic Italian guy Raffaele Pezzella, who’s the very same guy behind the great project Sonologyst. In a (near) future, I will write and publish a review on their latest album Silencers, by the way, which is available via Cold Spring Records as from yesterday.
Well, this is some good ol’ stuff, dude… I do not know about you, but I couldn’t remember this band anymore. Angel Of Mercy were a band active during the eighties and early nineties. They hailed from Las Vegas, and I think they were popular in their regional environments, but not exactly outside the Nevada desert borders.
Last weekend I listened once again to Ectoplasm. Damn, it remains one of the best things within its genre. Then I realised that I did never write or publish a review on that album. Though, if I would have some end year’s list for 2016, this specific release would absolutely be part of my top-10 from that very same year. So, I was wondering: why not writing something about that album anyway?