You know, the scene from Turkey has a lot of bullshit going on, but there is some highly interesting stuff out there as well. I am, personally, quite a ‘fan’ of all bands and projects that involve Emil Togrul, and I do deeply adore acts like Zifir, Cosmic Funeral, Hatevomit, Illusions Play or Valefor, amongst several others. Within this list, you might also find Xoresth, a project formed in 2013.
Yesss! That was my first thought when I heard, about one year ago, that there would be a new Satanath album out soon. There are two main reasons to explain my enthusiasm.
Earlier this year I published a review for 2016’s full length album D.I.M. (http://www.concreteweb.be/reviews/nagaarum), and soon I will also write and update one for the newest one, called Apples, but this review deals with the former recording, Homo Maleficus, which was actually released fifteen months ago.
Ungraved Apparition are a young band from Ekaterinburg, a city at the feet of the Ural Mountains in the Russian Federation. The band was formed in 2014 by guitar player Micky Babossa, joined by drummer Paul Kas (who takes care of the visuals too) and bassist Leon Kratt. When vocalist Damned and guitarist Bones Taker joined, the five-piece was ready to record their first album.
A couple of years ago, I can in touch with Alexey Korolyov, a very sympathetic guy from Saint-Petersburg who ran (and still runs) the label Satanath Records, and the guy behind the very interesting projects Satanath and Abigorum. In mean time he also founded Symbol Of Domination Productions, another excellent label from Russia. Both labels characterise diversity, yet with a certain darkened, f*cked-up attitude. All kinds of extreme Metal are like welcome on both labels.