Julien Lacroix is the person behind the magisterial project Moloch Conspiracy, for which I did write several reviews in the (recent) past. This French guy is also active under several other monikers. Recently, for example, he did create and release a rather vampire-themed thing as Oupyr (probably I will write a review on this recording soon).
I did mention the name of Vladimir Prokofiev a couple of times before. However, this was linked to his visual art for cover paintings / drawings. Vladimir is the guy behind the famous Paint-It-Black Design, known for his works for albums by bands like A Thousand Sufferings, Taiga, Vehementor, Ethir Anduin, Istina and many more.
Actually I was not about to write a review on this album, for it was released almost a year and a half ago. But then again, as you might know, I do not, ever, mind to write down my thoughts and ideas about material that has not been released recently; as long as it does deserve any additional promotion or support, you can count me in.
The moniker ‘genune’ is often used in Romanian translation as ‘precipice’ or ‘abyss’ or so. But it is the name as well for a promising act from Romanian soil, formed about one decade ago. Throughout these past ten years, Genune did finish a limited yet quite great and interesting amount of stuff, i.e. the albums Cern Sol and Inert & Unerring. The latter is the content of this review, inspired by a novel of Arthur Koestler when it comes to the title of this album; not unimportant to understand the thematical approach.
(short review, but I felt the urge to party along with the vandals…)
(another older release, once again deeply deserving any additional support, going for both the band as well as the label involved!!!)
NunSlaughter do not need any introduction anymore. This band, nowadays located in Cleveland, Ohio, uSSSa (you know, the land of milk-and-honey), is one of the most productive ones on our oh so magnificent black, sorry, blue planet, and this for, well, almost thirty-five earthly years in the mean-time. And their Devil Metal created an enormous fanbase, yet still NunSlaughter remain ‘low-profiled’ and ‘underground’.
[due to health issues in my family, quite some reviews have been delayed; this one too is about an album for which the review had been prepared a while ago, yet it never got finished; now I will…]
I would like to refer to my review on Stasis (https://www.concreteweb.be/reviews/nihil-impvlse) if you want to investigate about the history of this great project by Francesco Di Stasio.
(older release, yet always worth being promoted and supported)
