How many Metal bands do you, dearest reader, know from Kazakhstan (except from those who do live out there)? Honestly, my knowledge about the Heavy Music scene was limited up to three bands, which I did know by name only (I did never hear any of their stuff) (more specific: NEFormat, Requiem and Butchery; the latter, a Death / Grind-act, I did know from having a female vocalist).
As a Black / Doom fan, I do know Tim ‘Typhon’ Yatras from bands and projects like Austere, Pestilential Shadows, Woods Of Desolation, Grey Waters, Battalion, Kinstrife & Blood and many others. Apparently Tim has been active within the Electronic and Pop Music scene as well (no further comment), but this review deals with his project Germ, which was conceived in 2003.
The Obscurity Within… is the first full length by Dutch horde Entrapment. The band’s demos and 7”EP’s were sold out very quickly, but this debut will, of course, appear in a much larger edition.
That’s such a pity - at least for / to me.
Nowadays, thanks to the constantly growing sickness called ‘downloadable copies’, most labels do send us but an i-pooled edition of new material, most of the time a couple of days / Weeks after the actual release of the new stuff. I can spit my bile endlessly but I’ll spare you th…, no, I’ll save my own time and energy.
I don’t know whether it is really meant to mean something like to purloin, but what I do know is that Verdonkermaan is the third part of a trilogy, once preceded by Krach and Grond. And there is no doubt about this continuation: Verdonkermaan is a logical, merciless successor!
Touch Of Evil is the second released album from the Polish female fronted heavy metal band named "Access Denied". The album was actually a self-released record in Poland somewhere in 2011. But after the band got signed to Pitch Black Records, the label decided to re-release the album worldwide in November 2012.
Batabeat is the musical project which came into existence after Production Planète Virgolia commissioned musical director/ composer/ multi-instrumentalist musician (his main instruments being guitar, bass, and piano) Guillaume Soucy (a graduate in classical music composition from the University Of Montreal, whom participates in a multitude of musical projects of the Montreal scene) to create a live production of ambient music for a unique art exhibition that would pay tribute to horror author Patri
Belgium’s Alkerdeel did record a handful of demos and EP’s before, but Morinde indeed is the first real studio full length in seven years of existence. Recordings like Luizig, De Bollaf and, especially, De Speenzalvinge, were accepted with pleasure and gratitude within the underworlds of the scene, so I can imagine the impatience of the audience for this release. I am glad too with the at-last-finalisation of the album.
Shortly after the decision to re-release some older stuff (i.e. the first parts of the Mass-concept), ConSouling Sounds will release Amenra’s first live-album as well.
AmenRa is one of the most important Belgian / international acts within the Post / Sludge-scene, active for more than a decade and influential both within the Belgian scene as outside. During the early 2000’s, AmenRa released four albums under the Mass-moniker (self-released or available via Hypertension), followed by some newly written stuff, released as self-produced studio material or in split / EP-edition.