Hailing from Belarus, Pa Vesh En are a mysterious project that started quite recently. After two demo tapes, which were released on Germany’s finest Iron Bonehead Productions, this one-man army now offers a first 7”EP on vinyl. A Ghost comes with two new pieces (both clocking about seven minutes each), which are available as well digitally.
Praise the Horned One, bless Him with a sacrifice, for He made Myrkvid resurrect from oblivion! Hail!
I knew an American project called Wyrm (which actually means ‘serpent’), but it was a Texas-based Drone entity. But that has nothing to do with this review. There is (was) also a project with the very same name from Tennessee, which involves Le Scrambled Debutante frontman Allan Zane as sole permanent member (there are several guest and session musicians that did co-operate) and which was active during the first decade of this century.
Har are a young project but consisting of experienced musicians from Israel. The members of this Tel Aviv based act were or are in other notorious bands such as Mortuus Umbra, Witchcraft Sadomizer, Mocous Scrotum (hey guys, are you still alive?), Sonne Adam and so on. The band independently released a first EP in 2014, called Baal Ha’ov (there was a tape-edition too, quite limited, via Orgasmatron Records), and then everything seemed to fade away in total silence.
Dual is (was?) an outfit by Doncaster-born sound artist Colin Bradley, who you might know from his assistance with Splintered or his activities in Bark Psychosis too. He started this solo-outfit somewhere in the mid-Nineties, with some recordings done during the second half of the Nineties and the first half of the 2000’s. Then things turned into silence, but the project never officially split up, to my knowledge, despite no more recording activities going on. But that’s another issue…
The scene from India is not exactly where we refer to when thinking about Extreme Metal. When it comes to labels, my knowledge is limited to one hand full of labels worth mentioning (Metal Masala, Cyclopean Eye Productions, Tormented Whores Of Da’ath Records (unfortunately defunct) and, of course, mighty Transcending Obscurity Records (owned by the fantastic guy Kunal), are those who dwell within my memory [and collection]).
My wife sometimes pretends that there’s something wrong with me, mentally, because of my muSICKal choices. Then I beat her up when playing Abruptum out loud, but actually she might be right. You know, I have never hidden my appreciation for Cody Maillet and his Cryostasium outfit, so that might be a proof of my dear wife’s statement, I guess.
He might not be that well-known, at least outside his home country, but young Polish (now located in the UK?) multi-instrumentalist Kolan performs under several monikers. He’s the guy behind projects such as Antisemitex, Defenders Of Europe, Severe Storm or Bustum (solo or as instrumentalist), and quite recently he also started an outfit under the name Odour Of Death.
Every time when Ilya send me a new release I am excited because Corona Barathri never disappointed me before. But every time it also gives some kind of stress because it is not easy to write about this Luciferian project. This is not really music you have to listen to, it is more something you have to undergo. It’s the feeling the music gives that makes Corona Barathri so special. But writing about the feeling is quiet personal and for some like me who has some kind of objectivity issue is it an hard test.
I do (did) follow Arkhon Infaustus as from the transgression from last century to the current one. I do (did) surely appreciate all releases this French band did in the past (especially released via Osmose Productions), but I was not exactly totally blown away either (personal opinion – nothing you need to worry about) – yet at the same time, I think this band improved throughout their existence. So, I wasn’t exactly depressed when they split up about a decade ago, but still it was a pity.