The scene from India is not exactly where we refer to when thinking about Extreme Metal. When it comes to labels, my knowledge is limited to one hand full of labels worth mentioning (Metal Masala, Cyclopean Eye Productions, Tormented Whores Of Da’ath Records (unfortunately defunct) and, of course, mighty Transcending Obscurity Records (owned by the fantastic guy Kunal), are those who dwell within my memory [and collection]).
My wife sometimes pretends that there’s something wrong with me, mentally, because of my muSICKal choices. Then I beat her up when playing Abruptum out loud, but actually she might be right. You know, I have never hidden my appreciation for Cody Maillet and his Cryostasium outfit, so that might be a proof of my dear wife’s statement, I guess.
He might not be that well-known, at least outside his home country, but young Polish (now located in the UK?) multi-instrumentalist Kolan performs under several monikers. He’s the guy behind projects such as Antisemitex, Defenders Of Europe, Severe Storm or Bustum (solo or as instrumentalist), and quite recently he also started an outfit under the name Odour Of Death.
Every time when Ilya send me a new release I am excited because Corona Barathri never disappointed me before. But every time it also gives some kind of stress because it is not easy to write about this Luciferian project. This is not really music you have to listen to, it is more something you have to undergo. It’s the feeling the music gives that makes Corona Barathri so special. But writing about the feeling is quiet personal and for some like me who has some kind of objectivity issue is it an hard test.
I do (did) follow Arkhon Infaustus as from the transgression from last century to the current one. I do (did) surely appreciate all releases this French band did in the past (especially released via Osmose Productions), but I was not exactly totally blown away either (personal opinion – nothing you need to worry about) – yet at the same time, I think this band improved throughout their existence. So, I wasn’t exactly depressed when they split up about a decade ago, but still it was a pity.
My passion (my wife doesn’t call it a passion yet rather an obsession – whatever…) for the extremest regions of Metal was born during the second half of the Eighties (shut up, I know I’m getting old). Back then, there were a couple of labels that were truly leading – many of them being defunct in mean time (or transformed into some gay Pop Music entity – no further comment). Anyway, at the very early nineties, one of those eminent labels, at least to my opinion, was Osmose Productions.
If there is one thing about Corona Barathri is that I like is that a song never is just a song. It’s much more than that. A trip, a journey, an experience. With the right imagination it is possible to travel to the deepest caverns of Hell. Anima Tenebrarum is a recording for the Kalpamantra compilation Suiyase.
I will be very short on this one, for this new Aube Grise release soon follows the Hanterieur recording, and in a very near future I will come back to the Shale / Arrache-Moi ep. But until then, this CDr…
A serpent crawls along the birthing womb of a nebulous sun. Labyrinths of broken mirrors trace the path to its utterly devoured glare. Endlessly superimposed patters of blazing shades that cloak the matrix of unconsciousness. Blind visions of a mutilated light. Revealed images of a chaos spawned geometry, diagrams of a hidden order.
Quite soon after the full length Tysiacletnie Kajdany, which was this band’s fourth full length in a decade and a half of existence, Mystherium return with a new EP, Zwycięstwo. It’s a five-tracker that lasts for twenty-three minutes. The EP comes in a truly beautifully artistic CD-edition via Lower Silesian Stronghold, and there’s a (limited) tape-edition too (Werewolf Promotion). The material was mixed and mastered by Wojciech Cenajek at the Metal Sound Studio.