Since a couple of years, I am the sole reviewer for Concreteweb. No further comment on the reasons, especially after the passing away of my great friend - and devoted Music-fan - Dirk, who started this webzine at the end of last century. Some left because of personal issues, some because of emotional connections, and several were just assholes, dickheads, selfish and stupid humans. Homo f*cking sapiens indeed, way too important to get no physical stuff anymore, yet just digital – aaargh, don’t let me start about those f*****…
Split CD / Vinyl
Ashes to ashes, dust to dust… Hail to purification, death to the inferior spawn of terrorist prophets!
When Black Metal was born almost four decades ago (!), Greece was one of the protagonists, yet largely underestimated. Throughout the years, the Hellenic scene remained of high importance, but they never reached the same fame as, let’s say, the Scandinavian countries. Of course, there are some exceptions, but I am not going to come up with a list of ‘known’ (read: popular) band from out there. You know who they are…
As a convinced ‘fan’ of obscure, mystic, occult, ritual or just crazy Aural Art, I do whatever it takes - no, not whatever, yet at least quite a lot - to promote and support the (underground) scene. As an open-minded reviewer, I do write chronicles for new material, kindly offered to me by labels or bands / projects, but I do not mind, never at all, to spend my time on listening to, and writing about older material too. When a label or a band propose me to review an older recording, and in case I think it is worth spending my (valuable) time, I have no reason not to do so.
I must admit that I am not exactly Mater terra’s most convinced fan of Crust / Grind / Hardcore stuff, though I can appreciate that stuff when I am in the mood. And there are a couple of labels that can convince me with their Grind-edged stuff, like: Xtreem, Relapse, Identified By Dental, Selfmadegod, Unique Leader and so on.
This untitled split album compiles previously released yet, sometimes, hard-to-get material from two cult-acts within the world of Thrash-Heavy-Fucking-Metal Violence. There’s Guerra Total at the one hand, a total-war horde from the capital of Colombia, and Metalucifer at the other, once started as a side-project for Japan’s finest Sabbat.
One exception aside, I honestly adore and admire every single release done, until now, by French top-label Les Acteurs De L’Ombre and their sub-label Emanations. So I was quite aroused when I did receive an untitled split-album, compiling material by three French acts that surely suit to the roster they’re on right now. I was trusted with one of them, hailing from the internal outback from pre-Alpine France, In Cauda Venenum.
~~Some math (no meth!) before starting: one plus one might be more than two. My sons do not agree, since their teacher tried to convince them that one plus one simply makes two, always, no exception. My autistic half totally agrees. 1 + 1 = 2. I checked it on the web, and indeed, this formula leaves no room for conflict or friction. But still, my stubborn part might be convinced of the opposite.
~~Well, misanthropy and sarcasm often go hand in hand. I think that’s a good thing, because the extinction of humanity can be humorous, is it not?! This given can also be translated in a sonic concept, and that’s where Aliens vs Dinosaurs enters the conversation. What if an aliensaur would invade our world in order to end (human) life? Wouldn’t that be a fantastic nightmare with a bloody yet cool result, for Mater Terra would be saved from the sickness called ‘humanity’, and nature might reconquer its righteous throne? I’m in for some philosophical reflection…
For the xth time, Satanath Records and Black Plague Records are joining forces in order to punish the world with a merciless skull-hammering release, this time under the banner of a split in between two fine acts, Russia’s Drama and Perdition Winds from Finland.