This might be good news for those who lost their lust of life after the passing-away of Italy’s finest Nocratai, for the band might have reformed recently! All together: hurray! Yet beware: I am not sure, to be honest, whether the members did join forces once again, for the stuff on this new album is not exactly newly written material. And the fact that there was a compilation being released in 2017 (consisting of two older demos), does not necessarily suggest a reformation.
Brahdr’uhz are a very young yet quite productive outfit from Swiss, run by Brahz (voices, strings, percussion) and assisted by drummer Penetranalattack Deflagramicide. Yeah, why not… The project released several things in not that much time, especially independently, sometimes in partnership with Underground labels (Albanian Medieval Werewolf Antiquarium Label).
You know, the scene from Turkey has a lot of bullshit going on, but there is some highly interesting stuff out there as well. I am, personally, quite a ‘fan’ of all bands and projects that involve Emil Togrul, and I do deeply adore acts like Zifir, Cosmic Funeral, Hatevomit, Illusions Play or Valefor, amongst several others. Within this list, you might also find Xoresth, a project formed in 2013.
Flynotes are a band from Saint Petersburg, Russia, which was formed in 2010. In 2011, they released a first full-length studio album, Our Zoo, followed in 2013 by a second self-released album, called Shiva Telescopes. After some silence, the band returned in 2016 with a digital EP, The Smell Of Space, and very recently, with a renewed line-up, Flynotes release Child In The Woods, once again independently released.
Yesss! That was my first thought when I heard, about one year ago, that there would be a new Satanath album out soon. There are two main reasons to explain my enthusiasm.
Earlier this year I published a review for 2016’s full length album D.I.M. (http://www.concreteweb.be/reviews/nagaarum), and soon I will also write and update one for the newest one, called Apples, but this review deals with the former recording, Homo Maleficus, which was actually released fifteen months ago.
Ungraved Apparition are a young band from Ekaterinburg, a city at the feet of the Ural Mountains in the Russian Federation. The band was formed in 2014 by guitar player Micky Babossa, joined by drummer Paul Kas (who takes care of the visuals too) and bassist Leon Kratt. When vocalist Damned and guitarist Bones Taker joined, the five-piece was ready to record their first album.
A short review, this time. And yes, I know this compilation was released more than a year ago, in the meantime, but so what?...
This review deals with the fourth volume within Darknagar Records’ series that pays tribute to the huge, yet sometimes underestimated Death Metal scene from Russia. Seen the title, you smartass was aware of that, of course…
As you can read in my review for Necroheresy’s debut Divine Betrayal (published on June 16th 2015), I was very pleased by the intensity and craftsmanship of this Slovakian band. Those actual and former members of e.g. Karpathia, Silva Nigra, Evil Dead and Aeon Winds did convince me, so I was impatiently waiting for some new material. It took a while, but here they are, once again, with their first full length.
A couple of years ago, I can in touch with Alexey Korolyov, a very sympathetic guy from Saint-Petersburg who ran (and still runs) the label Satanath Records, and the guy behind the very interesting projects Satanath and Abigorum. In mean time he also founded Symbol Of Domination Productions, another excellent label from Russia. Both labels characterise diversity, yet with a certain darkened, f*cked-up attitude. All kinds of extreme Metal are like welcome on both labels.