I knew an act from Brazil called ColdBlood, being active during the first half of the Nineties. And because this release (which was send to me, the kind way, by my dear colleague Aleksey K. from e.g. the Abigorum project and Satanath Records), did deal with a Rio De Janeiro based act with the very same name, I was kind of wondering: is this the very same band? So, here I seemed to suffer from a period of total amnesia.
The origins of Enoid go back to the mid-nineties, when Sergio ‘Bornyhake’ Moplat started the project Pest. This Swiss guy is or was in many extreme projects, but I think Enoid, which actually is the successor of Organ Trails, with Organ Trails being the follow-up of higher mentioned Pest, might be one of the best known ones he’s involved with, and for sure one of the best.
When Aleksey Korolyov from Satanath Records did send me a new package of releases for both his labels (besides Satanath Records, Aleksey also runs Symbol Of Domination Productions), I was sort of aroused. There are different reasons. First of all, I do appreciate the variation of material.
For the xth time, Satanath Records and Black Plague Records are joining forces in order to punish the world with a merciless skull-hammering release, this time under the banner of a split in between two fine acts, Russia’s Drama and Perdition Winds from Finland.
Humanitas Error Est, hailing from Leipzig, Germany, debut with Human Pathomorphism, an eleven-tracker that lasts for fifty-six minutes. The band, with former and current members of e.g. Rogash, Goatfuck and Grabak, was founded in 2013, and recently they signed to Satanath Records to have this debut released and distributed (once again in an unholy partnership with Abstruse Eerie Radiance and Black Plague Records).
A Thousand Sufferings hail from Sint-Amands, close to Ghent (Belgium), and the band was formed in 2013 by former members of Vex and others. After some first gigs, (Dutch) co-founding member and singer Tijl died in an accident (thirty-six years of age, way too young), so that is why this first official A Thousand Sufferings release is, evidently, dedicated to this guy.
Satanath Records release, and do appreciate that, quite a lot of splits too. I like it because it might fill up a hiatus for a band’s relative silence in between two albums, for example. Or a split contains rare or old and hard-to-get stuff. Or just because it offers some variety. Or it might give you the opportunity to meet bands you haven’t been listening to before. Or… Nope, this is not an essay on my opinion on split collaborations, but it’s a review for a threesome…
Malamorte are a (new) project by Alessandro ‘Lord Vampyr’ Nunziati, known (currently or previously) from bands and projects such as Theatres Des Vampires, Cain, Shadowsreign, Sepolcrum, Lord Vampyr and some more.
At the end of last decade, a new entity was born in the Netherlands: Styxian Industries. The aim was to destroy the last beliefs in mankind, and to brutally penetrate all organic structures by the post-apocalyptic industrial hammer (damn, I’m in a poetic mood tonight…). But seriously, this act created some stuff in between 2009 and 2010, with a highlight in 2012 by means of a split with Redreom, released via Total Death Records.
Despite being active for four years only (they were founded in 2012), Uppsala, Sweden-based Nazghor now team up with their fifth recording, after Life Impaled (2013, Nebular Winter Productions / Dead Center Productions), Upon The Darkest Season (2014, Dead Center Productions, also re-released on tape afterwards), Through Darkness And Hell (2014, Metallic Media) and Diabolical Teachings (2015, a co-release of Metallic Media