From Adelaide, South Australia, comes a quintet [composed of singer (say shouter) Matt Kavanagh, guitarists Steven Dennis and Leigh Vergou, bassist Seb Bohm, and drummer Kim Fiddaman] who took influences from several sub-genres of Metal to create their own Post-Thrash hybrid.
Our Mother Electricty is nine well penned southern bluesy rocking tunes with emphasis on hooks, melody and soul. Even though most of the album is wrapped up in a contemporary sound All Them Witches contains a vintage vibe. Led Zeppelin, ZZ Top, Lynyrd Skynyrd and The Doors are obviously major keystones in this band's approach, considering the psych riffarama structure of many of these songs.
If you'll believe most info sources, Beverly Killz is a Milano (Italy) based Glam Rock/ Metal act which was founded in April 2007 by members of the bands Jasmine Gun and Mr. Jackfrost. But, while that is not far from the truth, reality is slightly different.
I was modestly little enthusiastic with Defeated Sanity’s 2011-album Chapters Of Repugnance (released through Hammerheart / Willowtip too). This experienced band brought, with that record, a nasty form of Old School Gore / Death Metal with, unfortunately, little inspirational and originality-lacking stuff, and only an average quality. Not bad stuff, but of lesser importance in an overcrowded scene.
This band was started as a Melodic Prog Rock solo project by American – Greek composer-singer Vicky Psarakis in late 2010, whom recorded this EP with the help of several talented Greek musicians [in fact, George Kollias on the drums and Elias Nousis on keyboards, guitars, bass and saxophone were the main contributors, with the track “The Planet's Cry” seeing collaborations of Tasos Asonitis on electric guitars, and Konstantinos Stavrou playing the acoustic guitar solo] at Athens' 9800 S
The starting point of Mascot Parade music can be found in the grungey stoner genre played by Soundgarden, Alice In Chains, Sixty Watt Shaman and Kyuss and also in the savage punishing sonic assaults of High On Fire and Mastodon.
No newbees to yours truly, this Swedish Glam Rock/ Metal act, as I reviewed the quartet's comeback and previous album Boys Town. For a history of the band, I refer you to that review, posted 28/03/2009, and still available in the “Archive” section of this here website.
Pombagira, built around the couple Pete and Carolyn Hamilton-Giles, have never been an average act. Dwelling in between the scenes of Doom and Psych-Rock, they managed to get a solid fan-base of a rather specific, probable slightly intoxicated horde of spiritual-minded lovers of unconventional, mind-transcending Music.
Svart Records do surprise me time after time. This time it goes for Sammal’s self-called album, a nine-tracker with a sixties-attitude.
The 9th Cell is a Portuguese one man band consisting of David Pais who actually did most of the stuff on this record. This David (who is a complete stranger to me) has released lots of albums under his own financing and has been active since 2005. Which is rather strange because like i said this is a stranger to me on whom it is difficult to find info on and his press sheet was quite short.
