Chains Ov Beleth are one of the many projects that include Heolstor, formerly also known as Jarleth, and previously / currently active with e.g. Eald, Carcharoth (the Spanish one, evidently), Nazgul (the Spanish one, evidently), Uruk-Hai (the Spanish one, evidently), Cyhiriaeth (the Spanish one, evidently) etc.
The Funeral Doom scene in France is pretty interesting, at least that’s what undersigned is thinking about it. One of the (many) projects that I can truly appreciate is a quite productive one, being Abysmal Growls Of Despair, one of the many (digital) projects by Hangsvart. Despite the very young age of this project (and this guy), there are quite some recordings in mean time.
I have no idea what’s going on in Costa Rica, but lately we are almost (read: ‘almost’, with some relativation) overcrowded by bands and projects from out there – some of the better things I recently ‘met’, and which I did a review for recently / which I will do a review for very soon: Alastor Sanguinary Embryo, Insepulto, Paganus Doctrina, Ancient Spheres, Inhuman, …
Next year Finnish (top) act Sacrilegious Impalement will celebrate its tenth anniversary, but the celebration party already started by compiling their three oldest releases under the flag of First Three Nails. After those three items, the band recorded and released three excellent full length studio albums (within the Archives you will find two of them), but let’s focus on this compilation, which comes with a six-page booklet, and after being remastered at Digivision Records.
The meaning of ‘taiga’ has to do with the green forest lands at the Arctic and Subarctic areas of our dearest Mater Terra. It means coldness, it means nature, it means emptiness and desolation, extent and, at the same time, littleness, emptiness, integrity. I think it’s rather logical that this Russian (Siberian) band did go for that specific moniker.
On this album, Bulgarian act Serpentine Creation are a quartet, consisting of Vlad (guitars + vocals), Gormoth (guitars), Mephistophel (drums; he took care of the artwork too), and Jafar (bass). They self-produced The Fiery Winds Of Armageddon with mix and recording at the Sub Zero Studio, with Bebo taking care of engineering and mastering. Result: forty one minutes of modern Death / Black Metal.
Necrocult… There are several of them… This review deals with the French one.
Actually, this band was formed in 1994 as Crucifix, playing an old schooled form of Death Metal. Yet slowly on, their approach got darker, and the nameless debut album, released in 2003 via French label Snakebite Productions, already brought a more evil-sounding sound (in mean time the band’s moniker changed into the current one).
When Viktor ‘Lord Dead’ Medvedev parted ways with Barathron, he created the outfit Amezarak, which I do appreciate quite a lot. In case you’re interested, I’m glad to invite you to read the review on the former album, last year’s Daemonolatreia, which was uploaded on the update of September 21st 2014.
Ancient Moon are quite a mysterious project for the three members act under the names of J, O and B, and nothing more is known. Apparently these guys hail from Belgium, France and Switzerland. I think Vvltvre is their first mutual effort, and it consists of one single piece, called Preastigitum Altareas, clocking almost half an hour.
[personal note: I do appreciate the fact that the sole track and the album itself do have another title]
My first acquaintance with Belarussian act Exegutor was when I heard the Dive Sessions EP, the band’s first release via Satanath Records (review updated on September 21st 2014, by the way, so check it out). Apparently they did release an album before, Cure For Dull, but I still haven’t had the opportunity to check that one out.