For one reason or another, Satanath Records and sub-label Symbol Of Domination Productions have some secret passion for the Costa Rican Extreme Metal scene.
I knew an act from Brazil called ColdBlood, being active during the first half of the Nineties. And because this release (which was send to me, the kind way, by my dear colleague Aleksey K. from e.g. the Abigorum project and Satanath Records), did deal with a Rio De Janeiro based act with the very same name, I was kind of wondering: is this the very same band? So, here I seemed to suffer from a period of total amnesia.
The origins of Enoid go back to the mid-nineties, when Sergio ‘Bornyhake’ Moplat started the project Pest. This Swiss guy is or was in many extreme projects, but I think Enoid, which actually is the successor of Organ Trails, with Organ Trails being the follow-up of higher mentioned Pest, might be one of the best known ones he’s involved with, and for sure one of the best.
~~Well, misanthropy and sarcasm often go hand in hand. I think that’s a good thing, because the extinction of humanity can be humorous, is it not?! This given can also be translated in a sonic concept, and that’s where Aliens vs Dinosaurs enters the conversation. What if an aliensaur would invade our world in order to end (human) life? Wouldn’t that be a fantastic nightmare with a bloody yet cool result, for Mater Terra would be saved from the sickness called ‘humanity’, and nature might reconquer its righteous throne? I’m in for some philosophical reflection…
~~When he was doing his military duties in 2004 for the fabulous (small dose of sarcasm included) American army in South Korea, Seth ‘Rellik’ Brooke decided to start Gravespawn as a solo-outfit, to canalise his misanthropic ideas and thoughts. Before he was in Lythos, but since his partners in crime from that band weren’t with him… After a first demo, he returned to California, joining forces with bass player Andrew ‘Advorsus’ Inman, who was part of the Lythos line-up too. Soon after a second demo followed, but then things went silent.
When Aleksey Korolyov from Satanath Records did send me a new package of releases for both his labels (besides Satanath Records, Aleksey also runs Symbol Of Domination Productions), I was sort of aroused. There are different reasons. First of all, I do appreciate the variation of material.
I do follow Germany-based Old Pagan for quite some time. The members joined forces two decades ago, and since then they did record and release quite some interesting material. In 2014, for example, Vacula Productions and Narbentage Produktionen did release the album MaledictusS (which was actually recorded a couple of years before, yet not released until then); a review which I did write for that recording was published on December 24th 2015, by the way.
For the xth time, Satanath Records and Black Plague Records are joining forces in order to punish the world with a merciless skull-hammering release, this time under the banner of a split in between two fine acts, Russia’s Drama and Perdition Winds from Finland.
After Russian Death Metal and Russian Death Metal vol. 2, we can finally enjoy Russian Death Metal vol. 3, indeed the third volume with nothing but Russian Death Metal. I guess the smartest ones amongst you were aware of that; but just to make sure you’re perfectly informed, it’s my pleasure to make sure you’re with me… You’re welcome…
A quick one: Atomic Cucumber is a re-release of the original album from 2013, re-released in an edition of 500 hand-numbered copies via Dark Front and Zombie Records, with distributional assistance by Satanath Records. It’s a filthy piece that irritates the listener’s consciousness for half an hour, but in case you’re a masochistic entity, it might be a pleasure…