Pythia is the name of a priestess from Delphi at the Temple of Apollo, also known as the Oracle of Delphi. She was known for her hallucinations, translated into revelations or prophecies, spoken in a weird tongue, said as it came from the Gods directly. Some historici think it was because of the use of certain drugs, others think she acted under the influence of certain gasses (Greece is a rather seismic region, as you know), or it might have been some sort of self-hypnotic or mental state of whatever.
Norway’s Ragnarok do exist for quite a long time and I’ve always liked their sweet lullabies (the interested or curious ones might check out the review of early 2010’s Collectors Of The King, posted on March 27th 2010). Since their former label, Regain Records, was put on hold, Jontho and his crew needed to find another intelligent entity to release upcoming stuff, and of course Agonia were a worthy, and winning candidate. All together: hurray!
I wonder what Ilias Papadakis had in mind when he started the Memorain-project at the transition of last millennium into the current one. Bringing ‘evident’ Death / Thrash, just like that? Or doing it with a fulfilment of heroic dreams?
Well, those who are trusted with the albums Digital Crimes (2002), White Line (2003) or Reduced To Ashes (2006) might have noticed that Memorain isn’t just a coincidence; on the contrary. But you might meet the description ‘super-band’ for sure, and who’s to blame?
After five years of existence, German quartet Farewell To Arms finally debut with Perceptions (the first full length; there were a demo-MCD and an EP in 2010), which lasts for forty one minutes. The album (cf. the intro) starts rather melodic, modern and progressive, yet musically this act isn’t but modern and melodic Thrash-edged Metalcore / Thrash / Death Metal with a sound that is very closely related to the ‘trusted’ scenes of both Sweden and the U.S.Aha. Trusted, meaning overloaded, lacking of an own identity, pubic and infantile it is.