Spell Forest is quite an ‘old’ band, nowadays terrorizing our globe for more than two decades. They were formed in 1995 in São Paolo, Brazil, with members included from other notorious acts such as Mythological Cold Towers, Vobiscum Inferi, Crux Caelifera, Cruor Cultum and other aural greatness.
My first ‘meeting’ with ProtoU was last year, when I had the opportunity to review Lost Here, a grandiose full length album that was released via Cryo Chamber (one of my preferred labels within the Drone / Ambient / Industrial scene lately). The interested ones might read my thoughts and opinion about that release on Concreteweb’s update of April 18th 2016 (or just enter the name in the ‘search’ tab). A brief history can be consulted in that chronicle.
Not that long ago I got in touch with a French guy, Arthur Arsenne, who did initially impress me by a collaborative album, created together with Piotr Cisak and Pawel Oleksinski (for the review on that Arsenne + Cisak + Oleksinski recording, see update of January 17th 2016) – thanks to Frozen Light for the opportunity, and so on… Anyway, it turned out that A.Arthur (his ‘professional’ name as musician) did run two young labels, Death Carnival Records and
I’ve always been impressed by bands and projects that involve Matron Thorn: Crowhurst, Benighted In Sodom, Midwinter Storm, Andacht and, especially, mighty Ævangelist. And hurray, recently he started a new project, called Death Fetishist.
Sometimes a band needs many years before they find a stable line-up, or before they have the opportunity to record and release decent material. Soulwound is such a band. Actually, the origins go back to the Nineties, when the brothers Niko and Janne Huusari started jamming and gigging. They wrote some pieces, which they did record as a demonstrational release, and there were permanent line-up changes going on in the meantime, which didn’t make it easier to perform live, evidently.
I admit that I easily refer to defunct Cold Meat Industry when talking about the glorious days of Industrial (that specific scene in a very wide and general sense), even though back then there were lots of other superb labels existing as well - nowadays it’s even getting better, again and again, yet still, the heritage... The ‘cult’ status remains, for ever.
One exception aside, I honestly adore and admire every single release done, until now, by French top-label Les Acteurs De L’Ombre and their sub-label Emanations. So I was quite aroused when I did receive an untitled split-album, compiling material by three French acts that surely suit to the roster they’re on right now. I was trusted with one of them, hailing from the internal outback from pre-Alpine France, In Cauda Venenum.
Not that long ago I started co-operating with Antiq Records, which crew did send me a couple of (great) recordings (check out the review I wrote for Syrian one-man army Chained, for example, posted on March 21st 2017). But this release was brought to my attention by Noémy from Solstice Promotions, just like new material from Ayin Aleph or Digital Nova, for instance (to be heard of quite soon).
Almost three years ago, five musicians from the region of Nantes (France) joined forces under the Clouds Of Dementia banner. Their aim: paying tribute to the greatness of the Heavy / Doom Metal scene of Old. They composed a couple of tracks, which the band performed live on stage, often alongside known acts such as Svart Crown, The Bottle Doom Lazy Band or Ataraxie.
If I’m not mistaken – and since I’m a smart guy the chance is almost nihil – ‘Arkona’ is the name of a cape on the Rügen island, nowadays in Germany (Baltic Sea, close to Poland), where the Slavic fortress Jaromarsburg was built. Like many castles, it has been a source of inspiration for many Metal bands. Behemoth’s first recordings, for example (at the time that they did still play ‘real’ Black Metal), referred to that era / area, but there are quite some bands named after that specific historical place too.