Suzana’s Bauten is an act from Salvador, Brazil, with a logo visualised as 2V54n42 64V73n. This trio has a modest curriculum vitae going on (and most of the material was released via the great Spanish Noise label Craneal Fracture Records, and quite some stuff as well on, for example, Murmure Intemporel). So it goes for Nucleo Duro too, that Craneal Fracture Records release, available both digitally as on tape.
A short review, this time. And yes, I know this compilation was released more than a year ago, in the meantime, but so what?...
This review deals with the fourth volume within Darknagar Records’ series that pays tribute to the huge, yet sometimes underestimated Death Metal scene from Russia. Seen the title, you smartass was aware of that, of course…
He might not be that well-known, at least outside his home country, but young Polish (now located in the UK?) multi-instrumentalist Kolan performs under several monikers. He’s the guy behind projects such as Antisemitex, Defenders Of Europe, Severe Storm or Bustum (solo or as instrumentalist), and quite recently he also started an outfit under the name Odour Of Death.
Agonia Black Vomit are dwelling around for about a decade. This duo, being Marco ‘Pesten’ Bomboi (also in e.g. Tundra) and Marco ‘Agonia’ Rosati (think Zedher / Zedher’s Coffin or Nailed God), created a first album, called Satanic Black Vomit, which was released in 2011 via Mexico’s Black Cult Records (hey guys, are you still around?).
Recently I published a review for Kaste Mustassa Tulessa, an album that sort of compiled older Vihan messU songs, but all of them being recreated for that release especially – see update December 26th 2017. Because this album what this review deals with is an untitled one (or self-called, as you wish), I thought this could be a third part of re-recorded material (after higher mentioned Kaste Mustassa Tulessa or 2015’s Liittona Pimeyteesi), or a ‘real’ compilation of older and / or unreleased stuff. But that is not the case.
My reviews for Copper Lock Hell (publishing date: November 17th 2014) and Corrosive Shroud (updated on December 24th 2015) – both, by the way, released via Cold Spring Records – sort of define my passionate adoration for this duo, being comprised of Andy Swan and Damian Bennett. Written over a period from 2016 to 2017 (during times of unease and sickness), Governance represents the newest work by UK-based Khost.
Cryo Chamber, run by Atrium Carceri’s Simon Heath (amongst other projects), must be one of the greatest Drone / Ambient labels ever. I have never been disappointed by any release done via this source. So, it’s quite exciting when coming in touch with a project I have not heard any material of before. This is the case with Wordclock, a solo-outfit of very young Portuguese musician Pedro Pimentel.
Intellectual sickness… Indeed, that’s a righteous definition for this newest epos by Paris-based act Mourning Dawn. And I will repeat it again and again!
Lyon is a very old French city (founded by the Romans more than two millennia ago), at the feet of the Alpes, and not that far away from the Swiss border. The city has a beautiful ancient centre, several acceptable wine houses (it’s there where Rhône and Saone ‘melt’ together), and it houses the head office of Interpol. Lyon also is home to LeibStandarte (not the Greek one), a young formation that recorded and independently released a very limited three-track demo in 2017. FYI: the tracks from that demonstrational recording return on their debut.
My ‘knowledge’ of the scene from Kyrgyzstan is enormously limited. With exception of Shahid, Darkestrah (though I admit that I have not been following them anymore for more than a handful of years) and Panzer Bulldozer, I have no idea what’s going on out there, in the centre of Central Asia. And then, suddenly, Aleksey K. did send me an album by a band from the capital of Kyrgyzstan, Bishkek, called Kashgar.