Ivan Tibos.

Old Pagan

I do follow Germany-based Old Pagan for quite some time. The members joined forces two decades ago, and since then they did record and release quite some interesting material. In 2014, for example, Vacula Productions and Narbentage Produktionen did release the album MaledictusS (which was actually recorded a couple of years before, yet not released until then); a review which I did write for that recording was published on December 24th 2015, by the way.

Negru Pvlse

‘negru pvlse’, it does include ‘negru’ and ‘pvlse’ (but the smartest ones amongst you saw that…). But I mean, it’s ‘negru’ as in Negru Voda, and ‘pvlse’ as in Moljebka Pvlse. And hey, this seems to be a project of Mathias Josefson (Moljebka Pvlse) and Peter Nyström (Negru Voda) indeed…

Immensity

On March 21st 2016, a partnership of Hypnotic Dirge Records and BadMoodMan Music (a side-label of Solitude Productions) resulted in the release of two albums: Cold Redrafted by Negative Voice (the review was published on July 4th 2016 – for the review, just enter the band’s name in the ‘search’-tab) and Immensity’s debut The Isolation Splendour. Both releases are somewhat comparable in approach, so pay attention!

Drama & Perdition Winds

For the xth time, Satanath Records and Black Plague Records are joining forces in order to punish the world with a merciless skull-hammering release, this time under the banner of a split in between two fine acts, Russia’s Drama and Perdition Winds from Finland.

Concrete Mascara

American act Concrete Mascara floats around for five years or so, yet despite their ‘limited’ number of years of existence, they brutally reached the top of the international Power Electronics community. Concrete Mascara’s debut Blossoms Of Shame (Corrosive Arts Records, 2014) got highly acclaimed, and now the project returns with the sophomore album Perennial Disappointment via mighty Malignant Records.

Sintax

Sintax were formed at the end of 2010 in Jerusalem, Israel, by some members from acts like Birth, Salem, Sensorium (though I didn’t think Nir was the original drummer, actually) and Shwortsechaye. In mean time, they gained an enormous fan-base in their home country, being considered as one of the most prominent live acts around.

 

Funeral Of God

Recently I came along the quite unusual yet highly interesting label Merdümgiriz (nowadays based in London), which focus on Underground material especially, with releases handmade by one of the label’s owners, Emir Togrul.

Blestema

There is a scene in the Medellin-area, Colombia, that pays tribute to the school of Old, and once in a while a release flows over the ocean towards our lands. Such thing now is the case for Los Elogios Noctambulares, the fourth album by the trio Blestema. Recently I did also write and publish the review for Tzelmoth’s last demo, which you can find on the update of August 4th 2016, by the way.

Nuklear Frost

To celebrate their tenth anniversary, Minnesota-based act Nuklear Frost released their first full album, Subjugation, which clocks just over half an hour. The seven-tracker was mixed and mastered by Maxwell Thomas Karon, who was responsible for the final result as well for releases from bands like Scordatura, Astral Blood, Mouth Of The Serpent or Adora Vivos too.

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