CD

Joel Grind’s Yellowgoat

Joel Grind did a jam session in the vein of the earliest efforts by his main band, Toxic Holocaust, in order to pay tribute again to the roots of Metal. The result is a twenty five-minutes ten tracker (intro and outro included) that honours the Old School, i.e. early Bathory (especially!!!), Motörhead, Kreator, Countess, Venom, Sodom and, of course, early Toxic Holocaust.

Finntroll

Finntroll are one of the leading bands from Finland when it comes to Folk-injected Extreme Metal. I don’t feel like re-writing the band’s biography or discography right here, because the web from a wide world has all information you might need.

Devourment

Remember the gore ol’ times?...

This is such a band that defines the initial core of Relapse’s roster. Devourment, the one from Dallas, Texas, are known for their mostly uncompromising, mercilessly blasting Grind-edged Death assaults. They do it with conviction, with brutal power, with great craftsmanship. Yeah, oops, they did it again!

Destinity

The French horde Destinity celebrated its fifteenth anniversary last year, entre outre with the preparation of album # 8, Resolve In Crimson. This record was recorded again with Jacob Hansen (!) and it features guest vocals by Stéphane Buriez, whom you might know from another great French Extreme Metal act, Loudblast.

Dawn Of Winter

Dawn Of Winter were formed in 1990 (!) as Cemetery, paying tribute to bands as Candlemass, Trouble, Saint Vitus, Witchfinder General, Black Sabbath etc. After a short period, the members did choose to change the band’s moniker into the current one, and at the same time they decided to change their style into the initial approach (tributing the gothfathers of Doom), mixed with specific own-faced structures. Dawn Of Winter were born…

Apolokia

My Kingdom Music is a label that confuses me time after time. They do balance in between extremes; at the one hand, you have a lot of quasi-poppy, modernised and/or happily Pop/Rock/Metal material, and the other extreme balances towards the most obscure, underground-oriented Black-edged evilness. When I need to review a new record, released through this Italian label, I’m always worried: will it belong to the first category, or rather to the second one (or somewhere in between both of them).

Trelldom

Originally released in 1998 through the very same label, Til Et Annet… was the second recording by Trelldom, a band with Kristian ‘Gaahl’ Espedal – think: Gorgoroth, Gaahlskagg, Sigfader, God Seed. Glad to hear it again, because it has been many years. Not because I dislike the stuff; on the contrary.

Totengeflüster

Totengeflüster (whispers of the Dead) were formed in 2007 by Totleben, who wanted to create his own interpretation of grim Black Metal with classical-symphonic elements. Soon he joined forces with a same-minded guy, Narbengrund, who wrote lyrics that did fit well to the music and ideas of Totengeflüster. Narbengrund takes care of the vocals too, by the way. And the line-up gets finally completed by Schattendorn, who performs the session drums (live as well).

Storyteller

While the German guys in Storyteller are just about to blow out their very first birthday candle, they release there very first record, containing three songs, called Take Me Home.

Pagan Altar

For those who are new to the band, Pagan Altar is one of the best heavy metal/NWOBHM acts to date. The group was formed back in 1980 and quickly reached a cult-status for the fans of the genre. This is a re-release of their 2006 album and it is a solid proof of their underrated genius. Pagan Altar are a metal band I'm always looking forward too to listen to. There are only a few bands playing metal at such an original level as they do. Their music is very difficult to describe, anyway, there's not a second band sounding similar to them.

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