Touch Of Evil is the second released album from the Polish female fronted heavy metal band named "Access Denied". The album was actually a self-released record in Poland somewhere in 2011. But after the band got signed to Pitch Black Records, the label decided to re-release the album worldwide in November 2012.
Batabeat is the musical project which came into existence after Production Planète Virgolia commissioned musical director/ composer/ multi-instrumentalist musician (his main instruments being guitar, bass, and piano) Guillaume Soucy (a graduate in classical music composition from the University Of Montreal, whom participates in a multitude of musical projects of the Montreal scene) to create a live production of ambient music for a unique art exhibition that would pay tribute to horror author Patri
Belgium’s Alkerdeel did record a handful of demos and EP’s before, but Morinde indeed is the first real studio full length in seven years of existence. Recordings like Luizig, De Bollaf and, especially, De Speenzalvinge, were accepted with pleasure and gratitude within the underworlds of the scene, so I can imagine the impatience of the audience for this release. I am glad too with the at-last-finalisation of the album.
Shortly after the decision to re-release some older stuff (i.e. the first parts of the Mass-concept), ConSouling Sounds will release Amenra’s first live-album as well.
AmenRa is one of the most important Belgian / international acts within the Post / Sludge-scene, active for more than a decade and influential both within the Belgian scene as outside. During the early 2000’s, AmenRa released four albums under the Mass-moniker (self-released or available via Hypertension), followed by some newly written stuff, released as self-produced studio material or in split / EP-edition.
This 7”EP-split consists of two songs, both of them the first official outlet from the guys behind these projects as solo-act.
One of Holland’s most active personalities when it comes to the darkest shades of noisy noises is Maurice ‘Mories’, the guy behind Gnaw Their Tongues. The grimmest souls amongst us might know this sweet guy from acts like Aderlating, Cauteror / Soulwound, Seirom, De Magia Veterum, Astral, Cloak Of Altering and many more.
I do follow this Belgian act as from the very beginning and I do appreciate the permanent positive evolution they made. In the early years, Gorath played decent yet somewhat faceless (Black) Metal, but by each recording they went stronger and more convincing. The continuously perfecting totality made both last Gorath-albums, MXCII and Apokalypsis (both reviews still available within the archives-section), make the top of my end year’s lists in respectively 2010 and 2011, and now it’s time to praise the Horned One once again.
Denver-based band Royal Talons debut with a self-called album that presents five tracks that last for forty six minutes. And honestly, this might be one of the most impressing debuts I’ve heard this year.
Royal Talons bring a firm, heavy, rather obscure and oppressive mixture of Sludge, Post-Punk, Stoner and Doom Metal with an own face. The whole sounds somewhat psychedelic, hypnotic and gloomy, with an experimental base to reveal tradition and creativity at once.
Auto-didactic musician / multi-instrumentalist / composer Mathieu Vandekerckhove might be known from his activities in acts like AmenRa, Caan, Sembler Deah or Kingdom, but since almost ten years, he acts as a solo-artist under the moniker of Syndrome as well. Last year, for example, he and ConSouling Sounds did release the surprising full length Floating Veins (on CD and LP).
