Recently I published a review for Kaste Mustassa Tulessa, an album that sort of compiled older Vihan messU songs, but all of them being recreated for that release especially – see update December 26th 2017. Because this album what this review deals with is an untitled one (or self-called, as you wish), I thought this could be a third part of re-recorded material (after higher mentioned Kaste Mustassa Tulessa or 2015’s Liittona Pimeyteesi), or a ‘real’ compilation of older and / or unreleased stuff. But that is not the case.
My reviews for Copper Lock Hell (publishing date: November 17th 2014) and Corrosive Shroud (updated on December 24th 2015) – both, by the way, released via Cold Spring Records – sort of define my passionate adoration for this duo, being comprised of Andy Swan and Damian Bennett. Written over a period from 2016 to 2017 (during times of unease and sickness), Governance represents the newest work by UK-based Khost.
Cryo Chamber, run by Atrium Carceri’s Simon Heath (amongst other projects), must be one of the greatest Drone / Ambient labels ever. I have never been disappointed by any release done via this source. So, it’s quite exciting when coming in touch with a project I have not heard any material of before. This is the case with Wordclock, a solo-outfit of very young Portuguese musician Pedro Pimentel.
Intellectual sickness… Indeed, that’s a righteous definition for this newest epos by Paris-based act Mourning Dawn. And I will repeat it again and again!
Lyon is a very old French city (founded by the Romans more than two millennia ago), at the feet of the Alpes, and not that far away from the Swiss border. The city has a beautiful ancient centre, several acceptable wine houses (it’s there where Rhône and Saone ‘melt’ together), and it houses the head office of Interpol. Lyon also is home to LeibStandarte (not the Greek one), a young formation that recorded and independently released a very limited three-track demo in 2017. FYI: the tracks from that demonstrational recording return on their debut.
My ‘knowledge’ of the scene from Kyrgyzstan is enormously limited. With exception of Shahid, Darkestrah (though I admit that I have not been following them anymore for more than a handful of years) and Panzer Bulldozer, I have no idea what’s going on out there, in the centre of Central Asia. And then, suddenly, Aleksey K. did send me an album by a band from the capital of Kyrgyzstan, Bishkek, called Kashgar.
Welcome on the Viking Ghost Ship tribute to the Gods of Death Metal bands…
I was not trusted with the sound of Shock Frontier, though I do appreciate quite some other material done by Shock Frontier’s half of the project, Robert C. Kozletsky.
The meaning of ‘ectoplasma’ is like the excretion of tangible material, or also spiritual energy, being separated or projected when being in a trancelike state, or by the substantification of ghosts / spirits / immaterial entities transforming into a physical shape. It comes from the Greek language (‘ektos’, which means ‘external’, and plasma, you know…), and that’s exactly the country where this same-named band hails from as well.
Hailing from Debrecen, a Hungarian city close to the Romanian border, Perihelion were formed at the very beginning of this century under the moniker of Neokhrome.