Phragments, the main outfit of Slovakian artists Matej Gyárfáš and Nenad Branković, return with their fifth studio recording, after 2013’s New Kings And New Queens. That last one did slightly differ from the first recordings, for being less martial and orchestral in nature, yet rather Drone-oriented than before. And that indeed is sort of the direction this album goes on once again.
Aki Klemm is one of the most active guys within the (current) Finnish (Black) Metal scene. Not only he owns the Patologian Laboratorio Productions and the Patologian Laboratorio Studio, but he’s active in several band and projects too: Grimirg, Oath, Lathspell, Hautakammio, Seal Of Beleth, and some others.
I was hesitating – would I write a short essay on the ‘Eurasian’ current or not… But in order to comprehend the philosophy behind TSIDMZ’s concept, it would be a missed chance not to do so. So here it is. The Eurasian ideas, as being related to an anti-capitalistic conviction, were born almost a century ago, trying to focus once again on the human being as existing like an entity of flesh and spirit, rather than being a part of an economic, world-dominative and fake-democratic mechanical construction.
Almost three years after the debut Infinite Dissonance (initially digitally released, and put on CD one year later; released via Finland’s Inverse Records), Russia’s Negative Voice return with their second official full length studio album, Cold Redrafted.
Quite an active act from Ukraine is Nocturnal Amentia, formed at the beginning of this century in the Lugansk area. The band released four full albums in mean time (the last one being released a couple of months ago via Cold Breath Of Silence), and they contributed on two splits; one with UK’s Black Grave, and another one with fellow countrymen of Underdark (sharing a member, by the way [*]).
I have to be honest, but I hadn’t heard of Inwolves before. This project seems to be an outfit of Karen Willems, whom you might know from her collaboration and inwolvement, sorry, involvement with e.g. Dirk Serries, Zita Swoon and Yuko. And apparently there was an album before under this moniker, released in early 2014 (Air+), both as digital download and on vinyl.
After Russian Death Metal and Russian Death Metal vol. 2, we can finally enjoy Russian Death Metal vol. 3, indeed the third volume with nothing but Russian Death Metal. I guess the smartest ones amongst you were aware of that; but just to make sure you’re perfectly informed, it’s my pleasure to make sure you’re with me… You’re welcome…
Karmiciel Wszy is a Polish artist / sound composer that recently released a handful of material on labels such as BDTA, Cvlminis, Lighten Up Sounds or Jasień, as well as an album via the impressive Frozen Light label from the Russian Federation. The latter is called Torre Bert, which is actually the name of a non-official tracking station somewhere in Italy.
Let’s start with an open question: is it possible to seek for, and find, some symbiosis of melodious beauty and chaotic harshness? Can Power-Electronics and semi-divinity result in acceptable structures? Let’s find out…
A quick one, but too interesting not to review: Voices Of Regret, the debut of The Great Wound. It’s a new outfit by Basque musicians Tristan Iniguez (ex-Darkness By Oath) and Ekaitz Garmendia (ex-Legen Beltza, Extinction). They did record (+ mix & master) this debut at the Auryn Studios (also in the Basque Country), and it lasts for forty-five minutes.
Blood Fire Death, Erzsebet and so on… I am dreaming of my favourite countess right now…