Hair Balls

A quick one: Atomic Cucumber is a re-release of the original album from 2013, re-released in an edition of 500 hand-numbered copies via Dark Front and Zombie Records, with distributional assistance by Satanath Records. It’s a filthy piece that irritates the listener’s consciousness for half an hour, but in case you’re a masochistic entity, it might be a pleasure…

Beyond Sensory Experience

It seems like a farewell, this title: The End Of It All. For a part, that’s correct, since it’s the last chapter in another trilogy by Swedish duo Beyond Sensory Experience. They had a first trilogy during last decade, being done via defunct Cold Meat Industry, and there was a second one that was released via Old Europa Café.


Shibalba are a Greek project with e.g. Acherontas V. Priest (known from e.g. Acherontas, Nihasa, Virus Of Koch, Acrimonious etc.) in its ranks. But despite those other projects this guy is, or was, involved with, Shibalba have nothing to do with (Black) Metal. ‘black’ is correct, ‘metal’ is not.

Funeral Of God

Funeral Of God are an Italian act that were formed in 2010 by Paolo ‘Odio’ Cerretini, also involved with extreme acts such as Mincer, In League With Satan, Glioblastoma, G.N.C. or Red Bible Black. Soon Paolo (bass and lead guitars, drum programming) got joined by Ukrainian artist Mariya Popyk.


There was a Polish band called Darkstorm during the nineties, with a couple of demos that, back then, were quite appropriate to the scene. After the album / EP The Black Stone, however, the project ceased its activities. It was a pity, for there might have been a ‘future’ for this unholy horde. Apparently there was a return as Ravenlord Darkstorm (founding member Lord Darkstorm did not want to use the original moniker), yet that wasn’t but just a brief revival.


Aquila is a solo-outfit by Atheosoph, whom you might know from his collaboration in (sadly defunct) Rein (review for their sole album La Cocaïne Des Seigneurs: see update of March 5th 2016). Under the Aquila-moniker, Atheosoph recorded a first demo-tape, Les Larmes De L’Aigle (‘tears of the eagle’), which was released in a limited edition in September 2014 via Werewolf Promotion.


Undersigned was totally blown away (figuratively) by Grimirg’s debut album MMXV-I; check out the review that was published on December 13th 2015. Both the project (Grimirg) and the label (Patologian Laboratorio Productions) are courtesy of Aki Klemm aka Grim666, for your information.


The ancient city of Tier, not that far away from Moscow, capital of the Russian Federation, has quite an interesting history. Unfortunately, the old Soviet institutes sort of ‘killed’ quite some elements from the culture and traditions of that era, at the shores of the river Volga. But are several bands out there that try to revive the forgotten glory of that era / area, and amongst those is this one: Kreiviskai. The band was formed in 2013, and soon after their birth, the quartet started working on their debut full album.


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