Ventre, dear reader, is actually a total artistic package, i.e. a book and a CD in one. But it’s not the first time that Cyclic Law come up with such thing. Cyclic Press can be considered as a visual art book-oriented sub-label of Cyclic Law, with material done before by Krist Mort and Dehn Sora.
I had not heard of Slovakian project Keosz before, but what sole member Erik Osvald brings with Be Left To Oneself surely fits to the ‘cinematic’ approach of the fabulous Cryo Chamber roster. Erik took care of song writing, performance / recording / production, as well as the artwork, and the mastering for this album, which lasts for forty-nine minutes, was done by label-owner Simon Heath (like about all releases on his label).
In a couple of days I will publish the review for Khaospath’s …For The Devil Speaks The Truth, their latest record, released via Belgium’s Immortal Frost Productions (don’t miss it!), but first I’ll focus on the former full length by these Swedes (actually, the origins lie in Malta). I know that this is an ‘older’ recording in mean time, but then again: it is never, and I repeat: NEVER, too late to give some additional promotion and attention to great material!
When Aleksey Korolyov from Satanath Records did send me a new package of releases for both his labels (besides Satanath Records, Aleksey also runs Symbol Of Domination Productions), I was sort of aroused. There are different reasons. First of all, I do appreciate the variation of material.
Astral Winter are an outfit by Josh Young, quite a young guy from the Australian island Tasmania.
Tragacanth are a young band from Holland, consisting of members involved with e.g. Thrash-act Chained Messiah and melodic Death Metal band Shade Of Hatred. But the band also includes Adrian Neagoe (here acting under the nickname OqPe Bune or OQ), who several amongst us do know from his involvement with (the likes of) Negura Bunget.
I knew a Texas-based Thrash band called Pendulum (it was a long time ago), and it was the moniker as well in the earliest years for Carpathian Full Moon, but this review deals with a French act, nowadays coming from the city of Nantes, in the West of France, at the border of the Loire river (a region known for some highly agreeable Muscadet wines, but that’s irrelevant right here).
If you believe it or not (not that I do care about what you believe), but there sort of is a small and hidden yet highly impressive scene in Iran. Personally I owe (and appreciate) stuff from ‘out there’ within several of my favourite aural genres, like Drone / Dark Ambient (such as Xerxes The Dark, Alphaxone, Porya Hatami) and (different kinds of) Black Metal (Ekove Efrits, Margg, Silent Path, Aras, Nathorg, …), amongst others.
I do follow Germany-based Old Pagan for quite some time. The members joined forces two decades ago, and since then they did record and release quite some interesting material. In 2014, for example, Vacula Productions and Narbentage Produktionen did release the album MaledictusS (which was actually recorded a couple of years before, yet not released until then); a review which I did write for that recording was published on December 24th 2015, by the way.
‘negru pvlse’, it does include ‘negru’ and ‘pvlse’ (but the smartest ones amongst you saw that…). But I mean, it’s ‘negru’ as in Negru Voda, and ‘pvlse’ as in Moljebka Pvlse. And hey, this seems to be a project of Mathias Josefson (Moljebka Pvlse) and Peter Nyström (Negru Voda) indeed…