Cadaveris are a band from the centre of the Russian Federation, and it is one that seems to exist for quite some time. Despite being formed in 2010, there were no official releases – until now.
Severomorsk is a city in the far North of the European part of the Russian Federation, on the Kola peninsula, and quite close to the not-that-unknown city of Murmansk. It’s also home to Nordlumo, a joyful outfit of a guy called Nordmad, who started this project quite recently. Evgenyi (real name of Nordmad) wrote, recorded and released six lengthy tracks (the total running time clocks about seventy-seven minutes) in very early 2016 via his own digital channels.
I have always adored that imaginative, winterly Ambient stuff à la Moloch, Symbiosis, Sieghetnar, Vinterriket, Nebula VII and the likes, and another act within this non-limitative list is Italian one-man project Winterblood.
Premarone are an Italian Doom band, originating from the Piedmontian region (at the French border), who took the audience by surprise with their 2015 debut album Obscuris Vera Involvis (Nicotine Records). Three friends started jamming together, and when a fourth human being joined the crew, Pol (bass), Ale (drums and percussions), Mic (synths, Theremin, Monotron recorder) and Fra (vocals and guitars) continued as Premarone.
I want to shout, to scream, to yell: wooaaargh! That’s what I wanna do after listening to this album. No, that’s what I want to do while listening to this brutal rape of my sweet, delicate eardrums. All together: wooaaargh!
El Salvador is not the hugest country when it comes to Extreme Metal, but it houses some interesting bands for sure. One within quite an impressive list must be Disorder, band that was formed almost two and a half decades ago. The band was active, especially in their local scene (Latin America), and in 2002 they independently released their great debut Voces De La Tumba. Unfortunately, some members decided to form a new act (Dreamlore), so Disorder split up short after the release of their first full length.
Arsenic Solaris is a label full of surprises. I mean that you never know what to expect from a new release, with exception of those projects you already know. The very same goes for Two Bridges, an adventure by two bands, one that I had not heard of before, and one that I did not know that well.
When notorious artists join forces to create something together, the result often surprises, but unfortunately it often stinks as well. When talking about the latter; too often the individual artists try to do their own thing, forgetting about the common result. But once in a while, such collaboration is a successful one too. That’s the case with the new project Stromstad.
A short one, this review.
First of all: this label. I’ve expressed my appreciation for Distant Voices a thousand times before. Check out about any review I did in the past (enter the label’s name in ‘search’ and you’ll find quite some reviews, fifteen up to twenty). I never forgot to focus on the magnificent ideology that characterises this French label.
Bolg started their activities at the beginning of this century. Via the American label Acclaim Records (they were quite active in the first decade of this century, then fading away in silence, yet back to business since a couple of years; this recording was their first release, by the way), Bolg released a split with another Bulgarian act, Exile (they reformed, but I’m not sure whether they’re still active as we speak). Then, however, everything turned into silence.