American act Concrete Mascara floats around for five years or so, yet despite their ‘limited’ number of years of existence, they brutally reached the top of the international Power Electronics community. Concrete Mascara’s debut Blossoms Of Shame (Corrosive Arts Records, 2014) got highly acclaimed, and now the project returns with the sophomore album Perennial Disappointment via mighty Malignant Records.
Sintax were formed at the end of 2010 in Jerusalem, Israel, by some members from acts like Birth, Salem, Sensorium (though I didn’t think Nir was the original drummer, actually) and Shwortsechaye. In mean time, they gained an enormous fan-base in their home country, being considered as one of the most prominent live acts around.
Pär Boström is especially known from the mighty project Kammarheit, with quite some fantastic releases especially on Cyclic Law.
There is a scene in the Medellin-area, Colombia, that pays tribute to the school of Old, and once in a while a release flows over the ocean towards our lands. Such thing now is the case for Los Elogios Noctambulares, the fourth album by the trio Blestema. Recently I did also write and publish the review for Tzelmoth’s last demo, which you can find on the update of August 4th 2016, by the way.
To celebrate their tenth anniversary, Minnesota-based act Nuklear Frost released their first full album, Subjugation, which clocks just over half an hour. The seven-tracker was mixed and mastered by Maxwell Thomas Karon, who was responsible for the final result as well for releases from bands like Scordatura, Astral Blood, Mouth Of The Serpent or Adora Vivos too.
Reveries is a collaborative result of two one-(wo)man projects, Noveller and thisquietarmy. The first one is an outfit of Brooklyn-born composer Sarah Lipstate, the latter one by Montréal-born Eric Quach.
Germany’s project Emerge did create quite some stuff in mean time (also under different monikers, like as part of the fabulous Martwa Natura-collaboration), and once in a while previously unreleased material finally gets the attention it deserves. That’s the case right here, with Hiding Place. It consists of some stuff that was recorded in September 2013 (if I am not mistaken, more stuff from those recording sessions were released under the Attenuation Circuit-banner, which is the project’s own label - cf.
Nowadays it’s quite difficult to create something unique and, at the same time, something great. Some renewing acts bring stuff that simply sucks, that is filled with exaggeration, or that lacks cohesion or a vision. Besides, in mean time it might seem that we’ve reach all borders of the sonic spectrum – since Harsh Noise Wall or simplistic field recording / sounds of nature are considered being ‘musical styles’ (and hey, you won’t hear me complain), it’s almost unthinkable what’s next to come.
Two years after their great debut EP The Abyss (you can still read the review posted on March 26th 2015; just enter the band’s name in the ‘search’-tab on top at the right), Belgian combo Ars Veneficium, an outfit that includes Immortal Frost Productions’ label owner S., return with the debut full length album. I did truly adore that first effort, and it was not just a lucky shot.
Well, I was enormously surprised, the positive way, when I received a message from Cyclic Law telling that there was a new Sophia album coming up. For more than a decade we did not hear anything anymore, at all, about this project by Arcana’s Peter Bjärgö. And indeed, it was true that there was a new work in the making.