God Body Disconnect does it again: creating a soundtrack around confusing questions about mortality and anxiety, about the unpredictability of the consciousness, about the limitations of our being and of our grip on reality and existence. I’m lost. I can’t find who I am anymore. The threshold of sanity has been crossed so many times, I don’t know if I’ll ever make it back. […] I’ve been there before, and I don’t ever want to go back. But, the wolves of hell have been sent to devour me, and there’s no calling them off.
Come journey deep into the depths, where long forgotten temples to strange creatures and dark cosmic summons lie unexplored by mortal eyes.
I’ll keep it short this time, for I will politely ask you to search the .net, or to read one of the reviews I did in the past (links below), to check out everything ‘behind’ the project Alphaxone and its human entity behind it, Mehdi Saleh. Once again, this album was totally written and created by this guy from Iranian soil, and released via long-time partner Cryo Chamber.
Under the moniker of Scorpio V, the Serbian guy Alexander runs a truly interesting number of outfits. He’s the guy behind the Prometheus Studio organization (which is ‘dedicated in delivering immersive musical narratives’), which releases (self-made) material by obscure and border-trespassing projects like Monasterium Imperi and Paleowolf, or the likes of Gaetir The Mountainkeeper, Forest Of Yore, Stronghold Guardian and several more.
This review deals with the sixth release in the dark-mythological Tomb series, ‘a dark exploration of the multifaceted entities of Sumerian mythology and the many dark places they inhabit. Places that still resonate with raw, ancient power’. This newest chapter invites the listener ‘to the dark realms of Mesopotamia, where over 5.000 years ago a civilization both physical and spiritual was founded’.
No introduction needed; just adding that Cities Last Broadcast is one of the outfits by Swedish sonic artist Pär Boström. Indeed, thé Pär it is.
Bruce Moallem aka God Body Disconnect, and Cryo Chamber do have a long mutual history going on. Within this love story, The Wanderer’s Dream is like a next phase. And it is a mostly personal, almost emotional one. I come back to that impression soon again.
First this: since both projects involved on this collaborative album have been reviewed several times before by undersigned, I’m not going to give a full history / biography / discography on either Iran-based act Alphaxone nor Ukraine’s ProtoU. Let’s just say that both Mehdi Saleh and Sasha ‘Cats’ Puzan are not a stranger to the magnificent Cryo Chamber label, and this isn’t their first mutual effort either.
As mentioned a 1,000 years of cryo-sleep before… Oops, I’m mistaken. I mean: as mentioned a 1,000 times before, Oregon-based label Cryo Chamber might be an institute, a standard, an authority when it comes to Ambient-based collaborations. With collaborations I do not mean ‘split’ releases, yet really two (or more) artists joining forces to create something new, something that withholds elements from all musicians involved, and focusing on a mutual goal to achieve.
I will be honest (as if that’s my trademark), but I was thinking about how to introduce the project and the label this time. But you know, none of them do need my (evidently professional and comprehensive) promotional talk anymore. So I will keep it short.
Cryo Chamber is a fabulous label when it comes to Cinematic and / or Dark Ambient material in general, with a fabulous roster consisting of some of the best projects around. I mean that!