[addicted label]

Memphis - Garish - Mitya DHS - aka Dekonstruktor - did create some mind-twisting yet satisfying stuff in the past (amongst which the split with Megalith Levitation). In order to celebrate their tenth anniversary under this specific name (they were active as The Moon Mistress before), the trio recorded some new / renewed material at the Korean Room, Red Eyes Studios over a period of 2021 and 2022; produced and mixed by the band itself as well.

Country (for what it’s worth): Russian Federation

Members: SAA (‘sermons & fuzzmagic aka guitars & vocals), PAN (skullhammers = drums & percussions), KKV (thunderbass, i.e. bass guitars & double bass)

Recording: Temple Of Silence Studio (Autumn 2021) (except drums: Wildboar Studio)

[No political messages in here, yet let’s say that imperialist war can only be supported by those who lack intelligence or vision. And of importance: not every human being from Russia supports the invasion of Ukraine. This said…]

In a very near future, Aesthetic Death and Megalith Levitation will officially release the new album Obscure Fire (of course you might expect a review on that recording in some future), but this review will deal with the former full-length, Void Psalms, which was (and still is, of course) the second full-album by Russia’s Megalith Levitation. It was actually released almost a year and a half ago, but then again: so what? Great material will always deserve (my) attention and promotion.