In 2018 some East-European musicians joined forces under the moniker of Monumentum Damnati: Abhoth (music & lyrics, also bass guitars), Athame (synths), Shoggoth (guitars) and Nyarlathotep (drums). Somehow they did prefer to stay ‘anonymous’ (with masks), even though it is said that they are ‘known’ artists from Belarus and at least one other country from the Far East of Europe (and maybe the U.S. of A.).
The End Of Time Records
About one year and some months ago, I had the pleasure to enjoy the official debut recording by Polish one-man army Czarna Magia. That EP, called Inwokacja Pierwotnej Mocy, was released via The End Of Time Records, a nice label from Polish soil that never disappointed me.
Czarna magia is Polish for ‘black magic’, so when I did receive an album from a band with that specific name (I got it from The End Of Time Records’ chieftain Dev), I knew this wouldn’t be a Pop or Rock album, yet something that might tease me. Well, believe me: it does!
Łódź-based horde Doomster Reich return with a fourth release, after The League For Mental Distillation (2014, The End Of Time Records, http://www.concreteweb.be/reviews/doomster-reich), Let Us Fall (originally independently released, then re-issued in 2015 by The End Of Time Records; see http://www.concreteweb.be/reviews/doomster-reich-0), and the EP Seven Seals (2017, s
A largely underestimated band from Poland, to my opinion, was Iugulatus. At the beginning of this decade, this horde release a limited number of intriguing albums, and shortly after the finishing of Satanic Pride, singer Balrog and drummer Wojtass decided to quit in order to focus on Slain. The remaining members, however, wanted to go on, so they continued, be it as Architect Of Disease. We’re talking about the year 2012.
Doomster Reich are an act from the city of Łódź (located in the centre of Poland, about 140 kilometres South-West of capital city Warsaw), which were formed in 2012. They did release a first album in 2014, called The League For Mental Distillation, which I wasn’t that enormously enthusiastic about. Yet then again, I noticed a certain potentiality, despite leaving me unsatisfied. I did describe it like ‘The intentions, the ideas, are interesting; the final execution, unfortunately, is not - or at least: not yet.
Primal are a one-man act from Poland, created in 2008 by PrimalOne, and pretty active in between 2010 and 2014. The End Of Time Records and Quid Est Veritas Productions did release some of the material, amongst which the truly fantastic Deathzone-album, Primal’s full length debut (for the review: see the update on September 21st 2014). Another ‘older’ release, done in collaboration by both bands, is Prophetae, initially released in August 2013.
Once again via long-time label The End Of Time Records, and this time in a co-operation with Old Temple, Deep Desolation deliver the successor of the extremely strong Rites Of Blasphemy-album (the review on that album was posted January 25th 2015, though it was initially released in 2012, shortly after their great debut Subliminal Visions).
Serpent Seed are a pretty young Polish act (formed in 2012), with e.g. former Iugulatus and current Slain-drummer Wojtass in their ranks. They debut with Debris Of Faith, an album that lasts for thirty eight minutes, and that gets released by two Polish labels, The End Of Time Records and Under The Tyrant’s Banner Prod.
I was quite charmed by 2011’s Subliminal Visions, my first acquaintance with Polish band Deep Desolation, released via The End Of Time Records. So I was quite happy when the very same label, which has a very interesting roster lately, did send us the successor of Subliminal Visions, Rites Of Blasphemy.