(an older release, yet another fabulous one from Hass Weg Productions that deserves my worthful time and devoted energy -smiley included-)…
Hass Weg Productions
French musician Antoine Guibert aka Le Démoniaque surprised me enormously with 2017’s album Le Démoniaque, which got released via one of my mostly appreciated labels from France, Hass Weg Productions, under the flag of Catacombes (which is French for - and now you smart-ass will be surprised - ‘catacombs’ indeed!). So, it did somehow please me when R. from Hass Weg Productions did send me a successor to that debut full length album a while ago.
[since the scroll-down menu does not go any farther than 2017, you can't see the actual release date, but this album saw the light, sorry, unlight, in 2012]
I have no idea whether Chadenn are still active, or whether they did split up. In each case, they did not release anything anymore since 2012 – and it’s that release that this review will deal with. Why reviewing such an old recording? Well, it is never too late to promote or support older stuff, in honour to the band or, like in this case, to the label involved.
Despite being formed at the beginning of this century, Sigillum Diabolicum are not exactly the most productive outfit from West-European soil.
Lyon is a very old French city (founded by the Romans more than two millennia ago), at the feet of the Alpes, and not that far away from the Swiss border. The city has a beautiful centre, several acceptable wine houses (it’s there where Rhône and Saone ‘melt’ together), and it houses the head office of Interpol. Lyon also is home to LeibStandarte (not the Greek one), a young formation that recorded and independently released a very limited three-track demo in 2017. FYI: the tracks from that demonstrational recording return on their debut.
A short one, for this review is meant as a preview on an upcoming one for the very same band…
[release date: March 25th 2014]
Short statement: I do a lot to support those labels and bands that, to my opinion, deserve it. That’s why I come up, more than once, with an older release. Okay, it is not ‘up to date’, but whatever. It might deal with something that deserves all additional promotion and support.
At the feet of the Alpes, covered in snow and veiled by icy winds… A Beautiful area, unspoiled nature, nice food, splendid wines (though…) and Walküre… Welcome to Saint-Etienne…
Bolg started their activities at the beginning of this century. Via the American label Acclaim Records (they were quite active in the first decade of this century, then fading away in silence, yet back to business since a couple of years; this recording was their first release, by the way), Bolg released a split with another Bulgarian act, Exile (they reformed, but I’m not sure whether they’re still active as we speak). Then, however, everything turned into silence.
Hailing from Belarus, Gnieu (which means ‘anger’ in their mother tongue) were formed about a decade ago. Throughout ten years of existence, the project (mainly a duo, consisting of Igar and Vietraslau) recorded two hands full of releases, amongst which some splits (with e.g. the sweeties of Lascowiec or Canadian two-man army Warforest), some EP’s and demos, and three full length albums: Kola Spradviecznaje (2008), U Vihurah Uśviedamleńnja Byćcja (2009) and Dein (2012).