Italian five-piece Nude were formed by two Metal artists, former Undertakers bass player Antonio Pucciarelli and guitarist Fabio Calluori (of Electrocution / From Depths and Heimdall-fame), and (unknown to me) vocalist Tom Capuano (aka Tommy Box) in order to express their passion for something completely different from Rock or Metal: Electro / Goth Rock / New Wave stuff.
My Kingdom Music is a label that confuses me time after time. They do balance in between extremes; at the one hand, you have a lot of quasi-poppy, modernised and/or happily Pop/Rock/Metal material, and the other extreme balances towards the most obscure, underground-oriented Black-edged evilness. When I need to review a new record, released through this Italian label, I’m always worried: will it belong to the first category, or rather to the second one (or somewhere in between both of them).
After more than a decade of existence (originally as Fvoco Fatvo), and two full lengths, Eversin return with Tears On The Face Of God, an eight tracker with a massive sound (recorded at MP Studio) and a performance much more mature than before (even though 2010’s Divina Estopia, the band’s My Kingdom Music debut, was a killer album as well).Tears On The Face Of God brings, again, a modern form of extremely technical and prophylactic Thrash Metal, the slightly progressive avant-garde way.
