Ashes to ashes, dust to dust… Hail to purification, death to the inferior spawn of terrorist prophets!
Hass Weg Productions
Bolg started their activities at the beginning of this century. Via the American label Acclaim Records (they were quite active in the first decade of this century, then fading away in silence, yet back to business since a couple of years; this recording was their first release, by the way), Bolg released a split with another Bulgarian act, Exile (they reformed, but I’m not sure whether they’re still active as we speak). Then, however, everything turned into silence.
Hailing from Belarus, Gnieu (which means ‘anger’ in their mother tongue) were formed about a decade ago. Throughout ten years of existence, the project (mainly a duo, consisting of Igar and Vietraslau) recorded two hands full of releases, amongst which some splits (with e.g. the sweeties of Lascowiec or Canadian two-man army Warforest), some EP’s and demos, and three full length albums: Kola Spradviecznaje (2008), U Vihurah Uśviedamleńnja Byćcja (2009) and Dein (2012).
He might not be that well-known, at least outside his home country, but young Polish (now located in the UK?) multi-instrumentalist Kolan performs under several monikers. He’s the guy behind projects such as Antisemitex, Defenders Of Europe, Severe Storm or Bustum (solo or as instrumentalist), and quite recently he also started an outfit under the name Odour Of Death.
Lyon is a very old French city (founded by the Romans more than two millennia ago), at the feet of the Alpes, and not that far away from the Swiss border. The city has a beautiful ancient centre, several acceptable wine houses (it’s there where Rhône and Saone ‘melt’ together), and it houses the head office of Interpol. Lyon also is home to LeibStandarte (not the Greek one), a young formation that recorded and independently released a very limited three-track demo in 2017. FYI: the tracks from that demonstrational recording return on their debut.
First this: Aux Portes De La Mort (‘at the gates of death’) was released on February 12th 2010, but the scroll-down menu does not go back that far. But once again: 2010!
You know (or you do not – what do I care anyway) that I have never disliked writing a review for older stuff. I do it with pleasure 1) to be grateful and to pay tribute to the band or label that send me that older stuff, and 2) when I think that this material is worth deserving some (of mine) additional support and promotion whatsoever. Quite the same goes for this review. It deals with the hateful French horde DUX and their peaceful recording Vintras.
I did never hide my dedication for Nordic styled Black Metal.
I did never hide my appreciation for R., the very sympathetic guy behind Hass Weg Productions.
I did never hide my preference for that French label I just mentioned.
Why these three phrases? Well, for Hass Weg Productions release about nothing else but true Second Wave-oriented Black Glory Supremacy! And this time, well, what do you think…
The Polish horde Aryman was formed at the very beginning of this century, but initially it was a band without name, without an aim (besides playing Black Metal!), without any official and professional recording or release. I guess it was in 2006 when main members Nefarius and Non Serviam decided to baptise their sonic brainchild as Aryman.
In a couple of days I will publish the review for Khaospath’s …For The Devil Speaks The Truth, their latest record, released via Belgium’s Immortal Frost Productions (don’t miss it!), but first I’ll focus on the former full length by these Swedes (actually, the origins lie in Malta). I know that this is an ‘older’ recording in mean time, but then again: it is never, and I repeat: NEVER, too late to give some additional promotion and attention to great material!