‘Ayyadieh’ refers to a hill where the ‘noble’ King Richard I aka ‘Lionheart’ did massacre hundreds, maybe thousands ‘enemies’ (women and kids included) at the end of the 12th century. This vengeful thing did happen for real, even-though there is a certain ‘legendary’ veil that covers this story, that glorious expression of revenge against the Muslims (led by the famous sultan Saladin) in a period of conquer and rivalry. It’s a bloodred chapter in history at the time of crusades, marking the blood-thirsty competition of religious fanatism.
Hass Weg Productions
A totally new entity from Polish soil came my way very recently. When I noticed that this release was a mutual effort of that new act in collaboration with Lower Silesian Stronghold, it did trigger my attention even more.
One of the many (solo) outfits by English gentleman Nox, here known as Shadows, is called Sacred Dominions. You might recognize this guy as well from projects like the productive duo Wolves Eyes, sadly defunct Forest Grave, Sinisterite (which also includes Molestor Kadotus and Shatraug; unfortunately put on hold), Martial Dungeon Synth act Folcriht or Dark Autumn, amongst several others.
I have never hid my appreciation (I was about to call it ‘passion’, but that sounds way too, eh, friendly, does it not) for the Polish (Black Metal) label Lower Silesian Stronghold. This label might have a specific philosophy, but from sonic point of view – or better: point of listen – they do house some excellent bands on their roster; and therefore some great releases too.
Do you smell it? It’s the scent of transience, the sweet perfume of decay and putrefaction. This is the odour of death…
(an older release, yet another fabulous one from Hass Weg Productions that deserves my worthful time and devoted energy -smiley included-)…
French musician Antoine Guibert aka Le Démoniaque surprised me enormously with 2017’s album Le Démoniaque, which got released via one of my mostly appreciated labels from France, Hass Weg Productions, under the flag of Catacombes (which is French for - and now you smart-ass will be surprised - ‘catacombs’ indeed!). So, it did somehow please me when R. from Hass Weg Productions did send me a successor to that debut full length album a while ago.
Hailing from Silesia, Poland, Severe Storm is an outfit by Kolan, whom you might know from bands and projects like Antisemitex, Odour Of Death or Defenders Of Europe, amongst some others.
Tolkien freaks will recognize the name ‘ohtar’ as being an esquire of King Isildur, who brought the broken pieces of the king’s legendary sword to the elfish city of Rivendell after some cowardly attack. But it is the name as well from a Polish band which was formed more than two decades ago. Ohtar, the band, recorded some demos and split contributions during the late Nineties and the early 2000’s, and in 2003, Supreme Art released the impressive debut full length album When I Cut The Throat (re-released afterwards on vinyl and tape).
[since the scroll-down menu does not go any farther than 2017, you can't see the actual release date, but this album saw the light, sorry, unlight, in 2012]
I have no idea whether Chadenn are still active, or whether they did split up. In each case, they did not release anything anymore since 2012 – and it’s that release that this review will deal with. Why reviewing such an old recording? Well, it is never too late to promote or support older stuff, in honour to the band or, like in this case, to the label involved.