Ildverden are a rather productive solo-project from the Crimean peninsula, Ukraine, that now release a fourth studio album, this time in a constellation of US-based (and underestimated) Pagan Flames, and Russia’s finest Satanath Records. Темніч чорна йде за мною aka Temních chorna yde za mnoyu.
Dulia are a totally new project from Sicily, formed by three extremely talented musicians: Vincenzo ‘K. Mega’ Giuffrè (keyboards and drum programming) (think: Abgott, Throne Of Molok, Beasts Of Torah etc.), Elio ‘Elagabal’ Mangiaracina (bass and vocals) (known from Psychopath Witch especially), and Tony ‘Zagreus’ Frenda (guitars, vocals) (ex-Tragoidia, Necrosis, Thrash Bombz, Kawir etc.).
Sea Of Despair are a Russian combo that did celebrate its tenth anniversary earlier this year. Throughout the past decade, they did record and release a handful of EP’s as well as two full lengths. One of those, Mоре Отчaяния (aka More Otchayaniya, which means ‘sea of despair’), was released in June 2009 via Wolfshade Records.
From The Vastland are an outfit by a guy called Sina, originating from Iran’s capital Tehran. In mean time this guy moved over to Trondheim, Norway. Anyway, with From The Vastland, Sina recorded three albums before, being Darkness Vs.
Yesterday we did (finally) update the review for the six-way split 6 Ways Of Hell, which was a collaboration done by Russia’s top-label Satanath Records at the one hand, and six bands / projects from the East of Asia at the other: Barzakh (Indonesia), Goresluts (Malaysia), Savage Deity (Thailand), Shadowmirth (Brunei), Suicidal (Singapore), and last but not least, Japanese duo Horrific Disease (Makoto Mizoguchi and Haruhisa Takahat
One of the oldest yet still active (?) Death Metal entities from Russia is the horde called Bestial Deform, formed twenty five years ago. I do not know if it is because of that anniversary, but they re-release some of their oldest material, with professional assistance and support by two great Russian labels, More Hate Productions and Symbol Of Domination Productions.
The Colombia-based quartet Skullthrone was formed five years ago, and recently they finished their debut album, called Biomechanical Messiah, which gets released by Satanath Records (Russia) and Morbid Skull Records (El Salvador), with distributional assistance of Metal Masala (India) and More Hate Productions (Russia).
In their five years of existence, Argentinian combo Vomit Of Doom recorded several demos and EP’s, and at the end of 2014 the Thai label Inhuman Assault Productions did release the five-track cassette Obey The Darkness. It was an omen for their upcoming debut full length album, which contains the very same name (and which, evidently, includes pretty much the very same inhuman sonic assaults).
Hatevömit (or Hatevomit, without the ‘¨’) originate from Istanbul, Turkey, and a couple of years ago they (guitarist / bassist Unholy Nuklear Terrorist and vocalist / lyricist Damnare, both formerly in e.g. The Upheaval) joined forces with the Mexican drummer Hugo ‘Revolt’ Olivos from mighty Vomitile.
Goatthroat are a very young yet, at the same time, experienced trio from Germany, with members from Old Skull and As Light Becomes Shadow. After having joined forces in 2014, the members soon recorded ten pieces of purest Evilness and Grimness, gathered under the banner of Rites Of Blasphemy. And for sure these ‘songs’ are rites of blasphemy. The material and the artwork do fit (look at the cover painting and you’ll understand), and so do the sound and atmosphere.
