As They Burn
Hailing from the city of love and light, Paris, As They Burn are the newest sensation in the deathcore genre. Think of a mixture of the fury of Emmure and the heaviness of country mates Gojira and you'll end up with As They Burn.
Hailing from the city of love and light, Paris, As They Burn are the newest sensation in the deathcore genre. Think of a mixture of the fury of Emmure and the heaviness of country mates Gojira and you'll end up with As They Burn.
New Formed Revelations is the third album by Croatian four-piece Infernal Tenebra. The band was able to have this material mixed and mastered by top-producer Jens Bogren at his Fascination Street Studio (think: Turisaz, Amon Amarth, Be’lakor, Borknagar, Paradise Lost, Gwyllion and many more), which attests the full, great sound.This album has nothing to do with Black Metal anymore.
Gylve ‘Fenriz’ Nagell and Ted ‘Nocturno Culto’ Skjellum return with album # 666, and what strikes me as from the very first moment: six songs only for a total duration of forty two minutes. Why not?...
The Underground Resistance was recorded in two years and is the most logical Darkthrone record seen their permanent progression. Everything is Old School, yet the variety is enormous. However, this band’s characterising trademarks are present in every single detail.
Wilkes-Barre, Pennsylvania has always been the breeding ground for many hardcore punk bands. Just think of Cold World, Stick Together, Dead End Path and many others. After some European tours, an American tour supporting Rise Against and countless shows across the American nation, Title Fight released their third full-length, called Floral Green.
Asylum Pyre released their debut album ‘Natural Instinct’ in 2009. I seem to have missed this album completely. Now they’re back with their second opus. Since their previous album there have been line-up changes, the drummer has been replaced, but also the female front vocalist has changed.
First of all, a short apology for the very, very late review of this album, something which happened to quite a few albums put to my care, I'm afraid, and which was originated by several negative events outside my personal sphere of influence. Regretfully, the bulk of those events caused me to suffer from a writers' block during several months, and it's only at the start of this year that I've been able to start catching up with everything that's been piling up.
Crowbar are considered to be the real inventors of the 'doom-core' genre, combining the heaviness of doom metal and the breakdowns of hardcore. Their first release back in 1992, Obedience Thru Suffering, set the tone for a whole new range of bands to arise from the depths of metal and hardcore. The album was an inspiration for many people to pick up an instrument and start making heavy music without following any rules. The record has been out of print since 1994, but now, the band re-released their debut masterpiece.
Enchantya is a band hailing from Portugal, and with this album they deliver their first work to the world. They are fronted by Rute Fevereiro, whom some of you might know from Black Widow, a all female band, but which she left in 2004.
What this band brings us is progressive Goth metal, with female vocals. That the group consists of excellent musicians cannot be denied, especially the keyboards leave a very good impression, but the duo guitarists also give a great performance.
I should be ashamed. Kong is a band that already exists for over 25 years, but that I’d never heard of before.
Of course this might have to do with the fact that what Kong brings us, is not your typical metal or hard rock. To start with all their songs are purely instrumental. So no vocals. As if that alone wasn’t enough, what they bring us is not typical metal either. I would even be tempted to call this industrial metal, or techno-metal, whatever.
Do you know Hatred For Mankind, Dragged Into Sunlight’s debut full length studio record? It was one of my favourite releases from 2008 (the stuff had been re-released in 2010/2011 through their current label, Prosthetic, and was reviewed very positively by colleague Tony, who shared my enthusiasm about this UK-based act; for the review: see the archives section, posted on the very end on October 2010).