Sometimes it’s a hard job to be a reviewer. Like in this case. I do not know, even after three listens, what to think about this album. Do I like it or not? Is it the masochistic part within me that makes me enjoy this material despite being extremely irritating, or is it a hidden temptation poisoning the listeners’ mind? Really, I have no idea…
One of Australia’s most notorious acts ever must have been Sadistik Exekution, I guess. Despite their bad reputation (or is it ‘because of’?), they reached some kind of kult-status. Undersigned could (can) appreciate about everything this band did in the past. Most of the members had or have their own solo-outfits too, and the very same goes for Sadistik Exekution’s bass player Dave Slave.
Most extreme bands from Chile pay tribute to the old school, and in Putrid Evocation’s case it is not different either. This young band released some demos and one EP (Blackness Enshroud, 2013, via Chilean Apocalyptic Productions), and now the trio comes up with their debut album, Echoes Of Death. It gets released via Spanish top-label Xtreem Music, of course, and lasts for forty two minutes.
The Dutch band Infinity was formed in 1995. Throughout the years, the band recorded a handful of great albums with a same-minded structure, yet with a slightly different final execution. After some changes in line-up, Infinity eventually signed to the roster of Dutch label New Era Productions in early 2012, and a first result of this collaboration was the compilation Back To The Source…, an album with re-recordings and cover songs.
The scene from Belarus might not be as ‘big’ as the one from neighbours like Russia, Poland and Ukraine (and even the Baltic states), but there are quite some impressive bands out there. One of the older ones is Infestum, which were formed fifteen years ago actually. This band consists of very experienced musicians, involved with other ‘notorious’ Belarussian bands, such as ID:Vision or Exist M.
Stu, the guy behind Aesthetic Death, knows how to make me happy. Just send me the second album of Russia’s trio Goatpsalm and I start smiling (the sardonic way, evidently)!
When it comes to ‘occult’ themes within the Black Metal scene, many countries might claim ‘courtesy’, but I guess Greece is one of those unnaturally-created eras (aka ‘country’) on Mater Terra that houses many ‘occult’ bands. And within quite an impressive list of bands worth mentioning (but I won’t enlist them, for it will distract from the essence, and since I am too lazy…), Acherontas cannot be denied / ignored at all.
Greek act Soulskinner was formed almost two decades ago under the Terra Tenebrae-moniker by members involved with e.g. Thou Art Lord and Necromantia (!). The band recorded and released several mini and full length albums (as Terra Tenebrae and as Soulskinner), showing their passion for the Old School. And still now they pay tribute to the early years, when our globe started being sonically infected by the nastiest sounds of the Underground.
Doomsday Juggernaut was the first official release by Catalonian act Edenkaiser, originally self-released on February 7th 2014. I wrote a review back then, which was uploaded on May 8th 2014. But apparently this material has been re-issued on both CD and tape. Since Cold Raw Records did offer us their edition, I will re-consider my initial thoughts, which weren’t that positive (yet with a modest optimism).
When listening to this band’s debut album, one might think that they are heavily inspired by the Old School in all its glory. But actually, Atomic Aggressor are part of that legendary Old School, for this Chilean band was active as from the end of the eighties. They had two demos back then, Bloody Ceremonial in 1989 and Resurrection in 1991, but then they broke up.
