For any introduction about this outfit by our dearest Mister (bleak), I invite you to check out any of the former reviews I did for this specific project (even-though I did write down my thoughts on some of his other projects too in the meantime)…
Official note from the writer of this article (indeed, the beautiful me himself…), and mentioned a thousand times before: Concreteweb exists to promote different styles of (Underground) Music, and in extension, to support the artists, projects / bands, labels, distributors, promotors etc. involved. Concreteweb is not a forum to discuss politics from any scope.
This was quite a nice surprise. Very recently I got in touch again with Dutch act The Shiva Hypothesis. I wasn’t sure, to be honest, whether these guys were still active. I was truly impressed by their promo-EP from 2015 and their sole official release, 2018’s full-length Ouroboros Stirs. However, as from then on, things went extremely silent.
Those who are trusted with the divine Aural Art by Rojinski do know that this project is enormously productive (this review deals with the third [!] release in 2025 by this prolific outfit!), with each single release coming with its very own-faced approach. Throughout the years, Rojinski did slowly evolve, with all recordings having a comparable identity, yet also their specific content and attitude.
After an ear-devastating silence – their last album was released in early 2020 – this Flemish combo, Wound Collector, returns with a four-track EP, called Begging For Chicxulub.
I can be quite short and concise about this release. Why? Because this might be one of the most amazing surprises lately.
Warhymn (or WarHymn, with capital ‘h’) were formed five years ago in Bucharest, the capital city of Romania. After Gnosis (2020, Narcoleptica Productions) and Cult Of Primordials (their debut-EP for Loud Rage Music, released in 2022; link for the review: see below), they recently came up with a new EP, which is sort of a teaser or special compilation, if you want.
Embrace the power of the mountain, feel the magic of the Vanir, and hide in our magical forest from Ragnarök…
When talking about Nordic Folk Music, one usually thinks about bands from European soil; from Sweden, Norway, Russia, Germany, Scotland, you know… I am quite open-minded and I don’t get scared that easily anymore (I dwell around this planet for more than half a century in the meantime), but hey, a Viking / Folk act from Uruguay, of all places?
A short one...
The ever-productive sound-artist (bleak) never disappointed me with any of his many outfits, and this one, Carrion, being one of his most fruitful ones, comes up once more with a new piece of psychologically-unacceptable fairness. It’s a lengthy one-piece record, clocking 37:09 minutes. Oh yes, adorable visual artistry, by the way.
Because I am such an amazing, sympathetic, vivid, bright, virile, smart, professional, handsome and, above all, modest and humble reviewer (why are you sardonically grimacing?), I have the chance to meet some very sympathetic and kind musicians from all over our beautiful yet rotting globe. An example is Lawrence K., the guy behind the Dark Ambient / Dungeon Synth outfit Idylls Of The Last King. With pleasure and dedication, I wrote down my humble thoughts on some of the former releases.
