Self-Release

A short one, but I think worth being mentioned: Born Again Misanthrope by Plutonium. It’s an outfit by a guy who calls himself MR J, and with Born Again Misanthrope he releases a third full length under the Plutonium moniker, each time with quite some time in between them.

What does this stand for? Well, actually it’s a mostly weird and experimental form of Black-oriented Metal, quite eccentric and adventurous, with an overload on traditional aspects, smartly mingled with progressive and post-modern elements.

Jose Murcia is the guy who runs Craneal Fracture Records, a label specialized in Noise, Power-Electronics and more of that sonic terrorism. Probably, in a near future, there might be some reviews for releases on that Spanish label.

Faunus Amadeus Loki acts under different monikers, both in collaboration with other artists (such as The Krueger; for example involved with Stark von Oben or Dracul – Order Of The Dragon), as well as solo (like Visoteric [there will be a review for this project soon], Berzerker, Volk Lore, Faunus Loki or Endoki Forest); I recently wrote and updated the review for Endoki Forest’s Black Sorcerers Forest – see the upl

Faunus Amadeus Loki is the artist’s name of New York born guy John Donadio, who runs the Volk Lore Music collaborative.

Isenmor were formed in May 2014 in Baltimore by guitarist / vocalist Tim Regan and bassist / vocalist Mike Wilson, shortly after joined by drummer BG Drakeley, keyboardist / vocalist Jon Lyon, and violinists Nick Schneider (also vocals) and Miles Waldman.

When it comes to the more Nordic-sounding, rough-edged sub-genre within the Black Metal spectrum, I sort of have a not that secret passion for the scene from Canada in general, and the Quebec-based one more specifically. So you might imagine my arousal when receiving the promotional copy for the untitled debut of Montreal-based Aversion. This band was formed in 2011 and did release a demonstrational recording in 2013 (which was called Pre-Life Nostalgia).

Germany’s Skady return with their third album, When Sun Disappeared, after several years of silence. The album is a first part of a space-themed trilogy, which was recorded and mixed at the Rosenquarz Studio. It gets released the digital way by the band itself (digital), but apparently there is a CD-edition too via Metallic Media (hey pals, are you still in touch?). The album consists of nine tracks and lasts for fifty three minutes.

Ungoliantha is an old (formed almost two decades ago) yet un-productive band around Lord Sinned (bass and vocals) from Ukraine, and with some colleagues )guitar player V. Karavaev, drummer Kim and synth wizard Igor Vershinin), he recorded this first album (which includes pretty old material) in between Autumn 2011 and Autumn 2012.

In essence, ‘we’ at Concreteweb.be are a Rock-‘n’-Metal based webzine particularly. But there is a difference in between ‘we’ (that’s why I did notify it in my former phrase in italic) and ‘ME’ (there is a [subjective yet evident] reason to have this in capital letters; but that’s another story dealing with my eternal modesty and superiority), for the ‘me’ also tries to focus on other genres. There are several reasons, but I will not go too deeply into the subject.

A quick one: Horror Of Naatu are a Polish project, consisting of vocalist / guitar player / bassist / lyricist and composer Hunger and drummer August, both active in Stillborn. With No Hope For No One they bring a handful of own songs and a Cannibal Corpse cover, which was recorded in early 2014 at the Roslyn Studio (I do remember this name from Hell United’s album Aura Damage).