Yeah, when you like it the filthy way, Goatblood will surely please your nastiest desires. This choir was formed ten years ago by D. Janssen aka Satanic Death Vulva (also active in e.g. Blasphemous Putrefaction, Genocide or Nacht) and Reverend Slayer (of Morannon fame).
I do like Dunkelheit Produktionen a lot for two reasons: the very sympathetic guy behind the label (big hug to you, Bernd), and their great roster. The label has a lot of excellent Death and Black Metal signings, and since I am a ‘fan’, and so on…
I was not sure about how to start this review. I would focus on my appreciation for Dunkelheit Produktionen’s roster, since I am a ‘fan’ of Extreme Metal for, well, some decades. And then I would refer to the open-minded approach of this label for they do sign, and release, material from other (related) genres too.
Finnish artist Juho Huuskola aka J.H. did form Shades Of Deep Water almost fifteen years ago as a solo-outfit to canalise his negative and isolationist ideas and thoughts about humanity, cosmos, reality and evolution. During the second half of last decade, he released some demonstrational recordings and one official EP, eventually followed by a first full length studio album, Waterways (independently released at the end of Summer 2013 on cassette).
The history of Grimoire De Occulte goes back to the very beginning of this decade. Bernd, the guy involved as drummer in bands like Nacht or Lost, and the same person who runs the Dunkelheit Produktionen label, created this outfit to focus more deeply on aspects like occultism, afterlife, dreamworlds and rituals.
Dan Deagh Wealcan are a pretty young project with a Russian and an Ukrainian musician, i.e. original member Mikhael A. Repp (Dan Deagh Wealcan were supposed to be a solo-outfit of this Russian guy) and Ungrace’s Eugene ‘Iowa’ Zoidze-Mishchenkho. Earlier this year, the duo released its debut album, Two Straight Horizontal Lines And The Organized Chaos In Between: Director’s Cut, via Metal Scrap Records.
The ‘issues’ in between Ukraine and Russia do not always infect ‘our’ sonic scene. I am talking about the collaboration of musicians, joining to start up a new project (or continuing an existing one), or labels from both countries taking care of the release and / or distribution of stuff from one of both countries (or another).
About one decade ago, Nicholas Onfray (think also: Black Moon, Ruined Sanctuary, Horns, The Last Knell etc.) formed the outfit Animus Mortis. He joined forces with vocalist Sid, and as a duo they recorded the demonstrational recording, called Desolate Landscapes.
Well well well, I thought this Italian band did split up a couple of years ago, but apparently it wasn’t but a temporary break. That’s fantastic news, but the best thing is: Absentia Lunae return with a new full length studio recording!
Sometimes it’s a hard job to be a reviewer. Like in this case. I do not know, even after three listens, what to think about this album. Do I like it or not? Is it the masochistic part within me that makes me enjoy this material despite being extremely irritating, or is it a hidden temptation poisoning the listeners’ mind? Really, I have no idea…