I will keep it short and concise, for this Finnish act does not need any introduction anymore. It would be a waste of (my precious) time right now. The same goes for the fine Flemish label that is responsible, once again, for this release. My devotion and dedication go for both band and label, but I’m too lazy right now (haha) to go deeper into their history, biography or discography.
The history of Stuttgart, Germany-based act Beyond Helvete goes back to the second half of the first decade of this century. At that moment, this project was the main outfit by Sven ‘Natrgaard’ Krause and could be considered a renewed direction on top of his (now defunct) outlets Nachtfrost and Zwenz. After some mini and full-length recordings, things went silent. An immense emptiness remained…
[another short one, yet once again one that needs / deserves some (any) additional support by undersigned, despite being released – or better: re-released – a year and a half ago]
When Osmose Productions (not a small player within the scene) offered us the album I - The Serpent at the very end of 2016, the world could make acquaintance with a new Dutch / Italian project, Liber Null. Unfortunately, this project, with members of e.g. Frostmoon Eclipse, faded away for a while, and nothing spectacular did happen anymore.
A short one…
The word ‘pyra’ comes from ‘wood-pyramid’ when referring to a pile of wood, like a (funeral / sacrificial / tribunal / burial) pyre. English-speaking folks might have known that, but in case you did not (yet), here you are… Purification through fire, or something…
It would be a waste of time to spent my time and energy in writing a biography / discography about one of Portugal’s best known and most notorious bands. Personally, I do follow Corpus Christii as from their debut Saeculum Domini, more than two decades ago (though, I admit that I do not have all of their releases in my collection (yet), apparently). And now they have returned with a ninth full-length album after signing to Immortal Frost Productions, a Flemish label with a limited yet enormously cool roster.
About nine years ago, two friends joined forces under the banner of Lichtblick. In 2015, founding members M. and A. and newly recruited musicians J. and D. recorded and released their debut, i.e. the independently released EP Feel Free To Lose Your Life. Some line-up changes happened, but with a renewed stable line-up, Lichtblick released their first full-length in 2018. Phrenesis too was independently released by the band itself.
I won’t go too deep at all into this band’s biography / discography, because you do know this Italian act for sure (in two years, these guys will celebrate their three decades of existence!), and it would bring me too far. I’ll go to the content immediately, and this time it deals with a compilation, actually, i.e. a collection of new and live tracks gathered as Rustworn.
Introduction: after a very long time of abyssal emptiness and silentium, Muert finally come back with a fourth full-length album; the first new studio release after 2017’s Ye Canariae Abezan (released via the mighty and quite ‘old’ Dutch Extreme Metal label Hammerheart Records).
