Ivan Tibos.

First of all: this EP will be released in a limited edition of 400 ‘normal’ copies (i.e. black vinyl) and 100 so-called splatter-vinyl ones. Outcome: hurry up!

Cemetery Fog are a very young band from Finland, originally consisting of V. Kettunen (d), J. Filppu (v, g), and J. Rantala (g). After the demo tapes Journey To Hell and Sepulchral Full Moon, the trio (J. Rantala left in mean time, and the band recently recruited bass player J. Peltonen) returned with a third demonstrational cassette recording, Shadows from The Cemetery, which has a total running time of about twenty three minutes.

Usually, when Sepulchral Productions appear, and with a band or project from the Québec-region, I become horny and hungry for this material shall be some grim and epic form of (often Nordic-inspired) Black Metal Supremacy. So you can imagine the enormous question-mark on my face when I listened to this EP for the first time.

Italian trio Barbarian (bassist D.D. Prowler, guitar player / vocalist Borys Crossburn, and drummer Lore Steamroller) are a pretty young formation that started as some kind of Hellhammer / Celtic Frost worship-entity. They released an untitled demo-tape in 2010 (self-released), a self-titled mini in 2011 (as a matter of fact, this was the vinyl-edition of the demonstrational recording from 2010), and they contributed on a split with country fellowmen Bunker 66.

[because the net simply exists, and for I have too much stuff still to review, I had to keep it short, but you will get the essence right here]

History: formed in 1987 in San Francisco, California. Majestic ‘early years’, and therefore one of the most influential Death Metal acts ever. Break from 1995 till 2010, then glorious comeback; old guys (just like me) that still beat the youngsters mercilessly!

Germany’s Words Of Farewell were formed during the first half of the former decade. When they recorded and released the debut Immersion, they gained lots of positive attention all over the world. I wasn’t that enormously enthusiastic with that first full length studio album (see update July 8^th 2012) (which, by the way, was released via AFM Records too), but I surely did not dislike it either.

Finnish band Woland was formed in 2010 with the aim to create a new, different vision on the sickness called humanity. Instead of looking at the past, they concentrate on a future where the human race rises above itself and its religion, and this seen from a specific Nietzschean point of view.

Less than a year ago, Triumphant from Austria were formed out of the ashes of Manic Disease. With exception of the drummer and the recruitment of a second guitar player, the whole Manic Disease line-up is part of this new formation. The guys started writing new material that is comparable to the former stuff (recorded under their former moniker), and recently they were able to sign a two-album deal with Germany’s Cyclone Empire.

Norway’s Subliritum hail from the wonderful city of Trondheim, where they formed at the very end of last century.

Stilla is a Swedish side-project by members of e.g. Bergraven and De Arma. One year ago, they surprised with their Nordvis-debut Till Stilla Falla, and now the band returns with the sophomore full length studio recording Ensamhetens Andar, which means something like ‘spirits of solitude’. This album consists of slightly lengthy tracks that combine tradition with atmosphere. The main tempo is rather slow, and the whole gets almost permanently supported by floating, dreamy keyboard lines.