The moniker Pimeydentuoja reeks of Finnish stench, and indeed this is a band from the Land of a Thousand Lakes, and more specific from the Vaasa-region at the Bothnian Gulf. The band was formed at the very end of last decade, and in 2012 drummer Fördärv aka Krig V.A., bass player / guitarist Iva aka They Agony, and choirboy / lyricist Herr Razer aka Dödfödd came up with their first official demo, Black Goat Psalm.
The origins of Enoid go back to the mid-nineties, when Sergio ‘Bornyhake’ Moplat started the project Pest. This Swiss guy is or was in many extreme projects, but I think Enoid, which actually is the successor of Organ Trails, with Organ Trails being the follow-up of higher mentioned Pest, might be one of the best known ones he’s involved with, and for sure one of the best.
For the xth time, Satanath Records and Black Plague Records are joining forces in order to punish the world with a merciless skull-hammering release, this time under the banner of a split in between two fine acts, Russia’s Drama and Perdition Winds from Finland.
Ritual Genocide are a pretty young (formed in 2013) three-piece (drummer Immolater, vocalist / bassist S19 and guitar player Hydra73) from Reno, Nevada, sharing members with Blasphemous Creation and Terroreactor. In 2015 they had a split with Phosphore Blanc (Invidious Allegiance; two tracks on this EP, by the way, did appear on that split), and now we can enjoy their first six-track mini-album, Commencement Towards Annihilation.
Humanitas Error Est, hailing from Leipzig, Germany, debut with Human Pathomorphism, an eleven-tracker that lasts for fifty-six minutes. The band, with former and current members of e.g. Rogash, Goatfuck and Grabak, was founded in 2013, and recently they signed to Satanath Records to have this debut released and distributed (once again in an unholy partnership with Abstruse Eerie Radiance and Black Plague Records).
Satanath Records release, and do appreciate that, quite a lot of splits too. I like it because it might fill up a hiatus for a band’s relative silence in between two albums, for example. Or a split contains rare or old and hard-to-get stuff. Or just because it offers some variety. Or it might give you the opportunity to meet bands you haven’t been listening to before. Or… Nope, this is not an essay on my opinion on split collaborations, but it’s a review for a threesome…
Chiral is the name of a very young one-man band, but despite the very young age (the project began in early 2014), there were quite some releases in mean time (demos, singles and two splits). Amongst those, a demo called Abisso…
Aornos are a new outfit by Tátrai ‘Algras’ Csaba, who’s (currently and previously) known as well from Hungarian bands like Frost, Bornholm or Carcharoth. The material for this debut release was written as from 1998 (!), and recorded in between 2009 and 2014.
Dulia are a totally new project from Sicily, formed by three extremely talented musicians: Vincenzo ‘K. Mega’ Giuffrè (keyboards and drum programming) (think: Abgott, Throne Of Molok, Beasts Of Torah etc.), Elio ‘Elagabal’ Mangiaracina (bass and vocals) (known from Psychopath Witch especially), and Tony ‘Zagreus’ Frenda (guitars, vocals) (ex-Tragoidia, Necrosis, Thrash Bombz, Kawir etc.).
The Funeral Doom scene in France is pretty interesting, at least that’s what undersigned is thinking about it. One of the (many) projects that I can truly appreciate is a quite productive one, being Abysmal Growls Of Despair, one of the many (digital) projects by Hangsvart. Despite the very young age of this project (and this guy), there are quite some recordings in mean time.
