I was very, or better: extremely pleased with late 2011’s release On The Coming Of Darkness (review posted November 12th 2011 - see archives section), and luckily this successor goes on in the very same vein, both musically as lyrically (conceptually). On The Dawning Of Light consists of nine tracks with a total running time of forty seven minutes, and still the project is veiled within mystery and unknown identities (for what this might be worth).
London, UK-based band The Devil debut with a nameless, self-produced album, which I’ve seen being compared to Swedish Ghost. For a modest part I can understand why (like the masked identities), for another modest part I do not fully agree. Main reason: The Devil are less mainstream and much more obscure in theme, while The Ghost appear as a Metal-circus with an image prevailing on content.
Scottish combo Cnoc An Tursa were able to record The Giant Of Auld at the legendary Foel Studio with highly acclaimed producer Chris Fielding at the helm (think: Ageless Oblivion, Moss, Winterfylleth, Primordial, The Wounded Kings etc.). Result: a killer production, of course!
Daylight Dies were originally formed in 1996 in Asheville, yet in mean time they relocated to Raleigh (North Carolina). Throughout the years, the band recorded different studio works, amongst which three full length, and without exception all of them were reviewed extremely positively by the international press.