Mexico’s horde The Depressick may not be that well-known, despite some sweet recordings in the past, including some splits and a full length in 2017 (Carcinoma, which was released via China’s Pest Productions). Hugely underestimated was their EP Disposable │ 1.10, initially independently and unphysically released at the end of 2019’s beautiful springtime.
Depressive Black Ambient Records
Krister Bergman is quite active under his own name, as well as under monikers like Pulse Detonations (with Japanoise artist Hiroshi Hasegawa), V.O.E.R. (aka Vestige Of Earthly Remains), Demons That Drove (with finally, after years of ear-deafening silence, a fabulous yet monstrous release a couple of years ago via Basement Corner Emissions) or Secondstroke, amongst several others.
Depressive Black Ambient Records is a young label from Poland, for which I recently reviewed their first release, created by Removed From This Life. Because the label finds no reason to inhale and exhale, just focusing on chemicals and anesthesia, you can guess that any joy of life does not make sense. Or does it? Indeed it does not, though I have to admit that all releases I have heard (and I’ve been listening to all six of them, in the meantime – and damn yeah, all of them will surely be reviewed) do bring joy in my life.
Very recently I got in touch with a young Poland based label, Depressive Black Ambient Records, run by a fine guy, Chris. The label focuses on Black Metal, Ambient and Drone material especially, and they are – and the next phrase I did steal from them, haha – not looking for anything. Anesthesiologically severe. Immersed in deep hypothermia. Where the breath is already imperceptible.