Les Acteurs De L’Ombre Productions

Sons Of A Wanted Man

Sons Of A Wanted Man is an act from Beringen, which is a city in Limburg, Belgium, formerly known from its coalmine sites. The band started five years and something ago, when some experienced musicians from different anti-commercial acts joined forces to bring something that makes Belgium great again: Post / Sludge Heaviness with (hairy) balls! They recorded and released some demonstrational stuff throughout the years, and did gain an impressive (local) live status, but now things will truly start, caused by Kenoma.

Time Lurker / Cepheide

I am often thrilled by split albums, especially when the bands or projects involved are much appreciated by my eardrums. Well, that is exactly the case with this (untitled) split in between two French acts, Paris-based Cepheide and Time Lurker from Strasbourg. I will give a brief description on both projects’ presence immediately, but I’d like to focus, in the first place, on this album itself.

Heaume Mortal

Guillaume Taliercio is known from his activities in bands like Cowards, Colossus Of Destiny and Eibon especially. The guy wrote some material during the first half of this decade, which did not exactly fit to one of the combos he is involved with, so he composed it as a personal project, which eventually got baptized as Heaume Mortal. He did it, and this isn’t but informative, under the name Guillaume Morlat, by the way.

Blurr Thrower

Totally new to me, Blurr Thrower seems to be a mysterious one-(wo)man outfit from Paris, France. With the two-tracker Les Avatars Du Vide (‘avatars of the void’), Blurr Thrower did debut last year (in July, more exactly) independently and digitally (cf. their Bandcamp-page).

Blurr Thrower

Totally new to me, Blurr Thrower seems to be a mysterious one-(wo)man outfit from Paris, France. With the two-tracker Les Avatars Du Vide (‘avatars of the void’), Blurr Thrower did debut last year (in July, more exactly) independently and digitally (cf. their Bandcamp-page).

Void

VOID, or better: VƆID, are an act from the city of Nantes (in the West of France, not that far away from the Atlantic shores). They started jamming, yeah, at the very beginning of this decade, and in 2012 they released a demo (Hate & Roll, limited as compact disc) and a split with side-project Blacktyde. Then… silence…

Monolithe

There are quite some interesting acts within the French (Funeral) Doom / Doom-Death scene, and one of my preferred ones for sure is this one: Monolithe.

Aorlhac

Aorlhac are an act from France, and more specific from Auvergne and Aurillac. The band is named after the (old) Occitan name for the city of Aurillac, and must be pronounced as ‘our-yuck’ or something. It’s the Occitan history too that inspires the members, and the rich heritance of this region’s history. Aorlhac were active in between 2007 and 2010, and they started a trilogy about their roots.

Arkhon Infaustus

I do (did) follow Arkhon Infaustus as from the transgression from last century to the current one. I do (did) surely appreciate all releases this French band did in the past (especially released via Osmose Productions), but I was not exactly totally blown away either (personal opinion – nothing you need to worry about) – yet at the same time, I think this band improved throughout their existence. So, I wasn’t exactly depressed when they split up about a decade ago, but still it was a pity.

Time Lurker

Time Lurker started in 2014 as a solo-outfit for Mick, hailing from the French city of Strasbourg. Intention was to create post-modernistic Black Metal, conceptually based on the nature of humanity, and mankind’s struggle with inner demons, created by our own uncertainty, fears, subconsciousness and failures. It’s meant to be a sonic travel through worlds described by both Jules Verne and H.P. Lovecraft.

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