Brooklyn based Psychedelic Rock band Naam can call themselves lucky! Having formed in 2008 as a trio of John Preston Bundy (bass & vocals, but also piano and synthesizer), Ryan Lee Lugar (guitar & vocals, and also tambura) and Eli Pizzuto (drums), they soon struck a deal with New York based specialist label Tee Pee Records, and as a result saw their debut 3-track EP Kingdom released in April of 2009.
Ritual Killing are a German Thrash-combo, formed in 2008 in Cobourg and rather inspired by the American scene than the European in general, or the German one more specifically. And with ‘American’ I’m referring to both the North and South American scene.
No Time To Waste lasts for forty minutes, but this album is not a complete waste of time for the trans-bordering Heavy Rock fan.
This is the long awaited and speculated upon collaboration between Opeth guitarist Michael Akerfeldt and Porcupine Tree frontman and solo artist Steven Wilson, and considering the history, it hàs been a long time coming.
Suffocation, legendary, an influential monument, a deadly source of inspiration for the worldwide Death Metal scene. Formed twenty five years ago, and except for a five-year break, always on top of the international map. Still with some original members (Mullen, Marchais and Hobbs), and remarkable too: the return of drummer Dave Culross.
Crowbar are considered to be the real inventors of the 'doom-core' genre, combining the heaviness of doom metal and the breakdowns of hardcore. Their first release back in 1992, Obedience Thru Suffering, set the tone for a whole new range of bands to arise from the depths of metal and hardcore. The album was an inspiration for many people to pick up an instrument and start making heavy music without following any rules. The record has been out of print since 1994, but now, the band re-released their debut masterpiece.
Like I already had expected, the official first album on Nuclear Blast Records is showcasing an improvement over the previous albums. Musically they haven't changed anything, but the songs sound more accessible, more mature and the production also has more crunch to it! Stylistically they still reside in the NWOBHM and US speed metal of the eighties.
I do really appreciate the things Swedish band Grief Of Emerald has done since the second part of the nineties. Their characteristic Scandinavian-influenced Black Metal did always convince because of the nice symbiosis in between melody, aggression and persuasion, and the members’ craftsmanship is impeccable. Unfortunately, Grief Of Emerald have not been able to reach the upper top because of the overflow on same-minded bands, among which several that are at least as convincing, and probably slightly better.
This is their fifth studio album since this Swedish band was formed in 2004. And as before they’ve made a fine album. Not that it brings anything new to us. Far from that. This album, as were their previous albums, is chock full of stereotypes and clichés of the genre.
Actually their music can best be described as a mix of Manowar, Iron Maiden, Sabaton, Judas Priest, and maybe I could name a few others.
Some bands can be so obscure, there's hardly any info to be found on 'em on the Internet. Here's another case.
