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Bereavement ravages the mind, and time promises to blunt its strength. A pale wasteland may recover one day, but the guilt that comes with fading memories takes root instead. And here, time only strengthens it.

I admit that this is an album that was released almost four months ago, yet it is still worth reviewing, and this for three reasons: the excellent label involved (I have always appreciated the Cryo Chamber community), both acts involved (no further comment, at least not yet), and the superb sonic pleasure that characterizes this collaboration (see below). Futuristic Dereliction is like a doomed, dystopian soundtrack once more, offering a post-apocalyptic view though sonic excavations. I will keep it concise, yet thorough.

As we do all know, the Centipede Abyss community consists of bands with strong relationships in between the members. Okay, not all projects share musicians, yet many (most) of them are like an intra-familial gathering. With Zvylpwkua it is not different. This North-Atlantic outfit (I mean, the members hail from both the United Kingdom and the United States) still consists of Ionnonnisssz (involved as well with e.g.

The Abyss Of Purification is a work by four projects, each of them contributing with one (lengthy) aural ceremony. It is not their first collaboration, for they did gather forces two years earlier (I mean, before this specific release, at the end of August 2022), under the banner of The Abyss Of Illumination. It’s evident that all respectful and humble appreciation goes to the label, i.e. the Noctivagant family, and the acts involved.

Forme is a collaborative work by two of Italy’s most notorious Experimental / Industrial artists: Maurizio Bianchi aka M.B. (experimenting with sounds and noises for about forty-five years) and Raffaele Pezzella aka Sonologyst (a clever human organism with a multi-tentacled angle).

MesmuR are an international act, consisting of experienced (I mean that these musicians participate in different -often well-known- bands as well) members from Italy, the U.S. and Australia (and in the past, also from Norway). They did three albums in the past: the self-titled debut in 2014 (Code666), S in 2017 (via Solitude Prod.), and Terrene in 2019 (also via Solitude Prod.).

Next year, in 2025, In Loving Memory will celebrate their 20^th anniversary. Despite two decades of existence, however, they have never been the most productive act on our planet.

I know, it’s been almost seven months that this album has been released, but I will write down my thoughts anyway, though I will keep it short.

One-man project Onasander is an outfit by Italian musician Maurizio Landini, who’s active under the moniker Les Anges Morts as well. As Onasander, Maurizio did record and release some collaborations via Winter-Light (with e.g. Kloob and Ashtoreth), and he was part as well on some of Cryo Chamber’s Cryo Chamber Collaboration epics, amongst other material.

Those who do follow the story of the Synthetic King and the Human Emperor: here is a next chapter within this exciting story. After the belief, or hope, to choose Utryn as his suitable successor, at a period of relative quietness and peace, Utryn suddenly shows up at the Emperor celestial palace. Both rulers discuss a future series of events that might turn the balance of power towards one of both. Conditions are discussed and soon battles and combats will be organized. What will be the outcome. Will Utryn, the Zealous Killer, survive and become the Vrozlydian Emperor’s successor?