Older release, shorter review (yet written with passion)
Country (for what it’s worth): Russian Federation
Members: WV (lead vocals, basses, guitars), Namiros (guitars), E.J.C. (drums, basses, backing vocals)
Music: WV & Namiros
Lyrics: WV
Mix & mastering: E.J.C.
Cover artwork: Taya Rostovtseva
Layout: Aleksey Korolyov
Design: WV
The Praxis 8 models were the most advanced of their kind. They had enhanced cerebral and combat skills, expanded knowledge capabilities, and a capacity to develop as emotional beings [] Four of the Praxis 8 models took matters into their own hands and formed a breakaway faction. They rebelled against their owners. They refused to obey. They absconded, taking refuge in the shadowed nooks of the urban sprawl…
Country (for what it’s worth): U.S.A.
Members: Kristof Bathory
Text: Alistair Rennie
There is wonderful terror beyond your crawling skies…
Despite more than two years of age, it still is more than interesting to focus on Pretium, until now being the sole official full-length release by Russian / Belarussian act Atra Haeresis. On this recording, the band consists of Alexey Veselov aka Fenrir, whom you might know from Bestial Deform or Ethir Anduin (bass), as well as Sergei Ambrazevich (vocals) and Alexander Antygin (guitars).
A short one…
I promised (myself) to write down my thoughts on this debut album (and sole full-length until now) after my review for the EP Turiya; and because of my appreciation, ‘back then’ as well as now (as from their new yet absolutely marvelous sonic approach), for German label Dunkelheit Produktionen.
Members on this album: Akif aka Plague (guitars & recording), Ah Puch (drums), Rivoo aka Tiyanak (vocals & bass)
The Canary Islands (Tenerife, Lanzarote, Gran Canaria, La Palma etc.) are usually associated with hot bitches, sorry, hot beaches, happy-hour-cocktail-binge-drinking-sh*t, and mass tourism. Okay, this has somewhat of an exaggeration, for there are some calm traditional villages out there, as well as truly beautiful national nature parks / wildlife, and above all, a guy called Ronald Rodriguez.
Centipede Abyss is one of the most out-of-the-box thinking labels lately, a collective of very open-minded and creative artists. This review deals with an album that was released earlier this year, yet which shows the intriguing content of both the label, as well as the artist behind this outfit. And I just want to finish and publish this debut for Vertebrae Fetish Totem as soon as possible, because a second recording will be released soon.
I do not think that it is absurd to consider the Necronomicon as one of the most enigmatic and secretive books in history of occultism and (black) magic. It was once written by the Mad Arab aka Abdul Alhazred. The latter, however, did not really exist, as you might probably know; yet it’s a character coming from the unique brain of Howard P. Lovecraft. I am not going too deep into this subject, even-though it is of an undeniable fantastic (and important) weight.
Since I like to read about mythology from Ancient Times, and since the ones from the Middle-East are of an extremely intriguing level, I did recognize the name ‘Lamashtu’. She was a naughty demigoddess (kindness was not her middle-name for sure, haha) in Sumerian / Mesopotamian mythology, daughter of the (important) god Anu, who liked to torture pregnant women and mothers who just gave birth, and to menace new-born children, eating their flesh, gnawing on their bones.
The King and the Emperor are back (and I admit that there is a third crusade in the meantime, and that this project is working on their fourth album too – but let’s now focus on their second one). Robert Koning (all instruments and clean vocals) and Yorick Keijzer (lead vocals) released the follow-up for their debut called I (or just Walg, if you want to), which is smartly called II (and indeed, the third part, released in early 2023, is titled III; ah, I adore certainty and perspicuity).
