The story of this Flemish band started about a decade ago, when some experienced members of notorious bands like Omega Centauri, Kludde, Toorn, Ignifer or Trancelike Void joined forces. The aim was to create that kind of Doom-Death material that stands miles away from the more romantic and gothic oriented trend, i.e. with the goal to be rather funereal in approach.
I am aware that the second volume has been released in the meantime. That actually is a good thing, for the aim of this promotional series is to support the ‘local’ scene. And yes, a third one is in the making…
I have to admit that I do not know that much bands from FYROM aka the Former Yugoslavian Republic Of Macedonia aka North Macedonia nowadays. Born For Slaughter, Aeon Arcanum, Maras or Tremula are a handful of bands that I do appreciate, but I have to thank Satanath Records’ Aleksey once more for introducing me to Vehementor.
Hailing from Norway, Therapy Productions is a new label for the mentally disturbed, so it didn’t take that long for me to get in touch. Their aim: Pushing the limits of sound / redefining what genres are / exploring new territories / not trying to conform / showing the world something new / crossing boundaries / making art. Please enter the world of sonic deformation…
Robert C. Kozletsky was a known artist in Psychomenteum, but that project did split up, unfortunately, a while ago. He also collaborated in the high-profile collaboration Kerrstillingskozletskynyströmpetrus, with Stephen Petrus, John Stillings, Larry Kerr and Peter Nyström, and he’s part of the Shock Frontier line-up as well. But I think his best-known outfit will be his solo-project Apócrýphos, which he started almost a decade ago.
For some reason - do not ask me how - or when, where, whatever - I did not review Nur Ein Moment…, the predecessor of …In Stille. A pity, for this band deserves some (any) additional support and promotion. The same, evidently, goes for the label involved, Hypnotic Dirge Records (although, for this magnificent Saskatoon, Canada based label, I did several other reviews before, for this label deserves any additional attention whatsoever; but that is another story).
First I have to make a confession. I did not know this band from Belarus. Seriously, I had not heard of Reido before. And you know, I am gonna make it up all right, because this release… Nope, first things first.
In the ancient Greek mythology, ‘Chthonia’ referred to several personalities, amongst which the mystic ‘subterranean’ deity – but I think the Internet will give you all information you are searching for. And hey, this isn’t a wiki-alike webzine, but a promotional entity for (dark) Aural Art. So let’s get over to the next step…
About one year and some months ago, I had the pleasure to enjoy the official debut recording by Polish one-man army Czarna Magia. That EP, called Inwokacja Pierwotnej Mocy, was released via The End Of Time Records, a nice label from Polish soil that never disappointed me.
Collaborations are a trademark, or better: one of the trademarks, when talking about Cryo Chamber. Being one of the most impressive and open-minded labels within the worldwide (Cinematic) Ambient genre, Cryo Chamber released tens of albums that actually are a partnership of two, or more, Ambient artists from all over the globe. I am not talking about splits, but about mutual efforts, in which different musicians join forces in order to create something new, a symbiosis of their individual craftsmanship, canalised into a unique result.