Cyclic Law, currently located in France, were formed in 2002 ‘to promote international musicians working in the field of Ambient, Experimental and Industrial Soundscapes’. The label gets run by Frédéric Arbour, who is the same mastermind behind projects like Visions, Instincts and some others.
It was a great pleasure when Patrick Mytron informed me about a new release under the Vulcanodon Phazer moniker. The guy is (or was) behind some other projects that dwell within blackened spheres, but this specific project differs from those Black Metal outfits. He used to be part of Alien Tab as well, which was an instrumental Doom / Sludge / Stoner duo that shortly lived during the second half of the Nineties. And I recently found out they did reform, by the way.
A short one, yet coming from my heart…
I won’t go too deep into the label and the project this time. The label is one of the most impressive ones within the worldwide Drone / Noise / Ritual Ambient scene lately (enter this label’s name in the ‘Search’-tab to find out more reviews, if interested), and the project is the main outfit by the label-owner; a very kind person who deserves my respect and support. No further comment this time…
I will keep it short, yet I just needed to do this: writing down my thoughts on this split-album. Why? Because of the great Music and since it includes three projects that are sort of crawling out of the pits of oblivion lately.
The history of Stuttgart, Germany-based act Beyond Helvete goes back to the second half of the first decade of this century. At that moment, this project was the main outfit by Sven ‘Natrgaard’ Krause and could be considered a renewed direction on top of his (now defunct) outlets Nachtfrost and Zwenz. After some mini and full-length recordings, things went silent. An immense emptiness remained…
I did not know the band with the unpronounceable name H, even-though they were already formed in 2015 or so. But that can be, for they did not release anything official yet until now. This Italian act was ‘born with the idea to create something extreme that fits both their musical inspiration and tradition’. The main intention was to establish a concept based on John’s The Apocalypse - the biblical epos, if you want to - written by one of the ‘legendary’ evangelists.
In the meantime, in January 2023, Italian act Shamael did independently release a second album (Il Suono Di Mille Orchestre Parte I), but I would like to come back on the debut. That first album, Melancholie Der Engel, was actually released two years ago, but it deserves some additional support for sure. I never mind writing down my thoughts on material that isn’t totally new, especially when the quality of that material is worth it.
The multiverse of Aesthetic Death has no boundaries whatsoever. Except for some ABBA-compilation or a tribute to George Michael, I guess this label sort of investigates all angles within the sonic spectrum. I firstly wanted to mention ‘within the musical spectrum’, yet as from this specific release on… I’ll come back to this album immediately. The label houses bands and projects in many aural areas, especially Metal-oriented (Doom, Black, Funeral Doom, Sludge) and within spheres of Dark Ambient, Power Electronics, Esoteric Drone and Ritual.
[another short one, yet once again one that needs / deserves some (any) additional support by undersigned, despite being released – or better: re-released – a year and a half ago]
I know that Mister (bleak) did release some new material in the meantime, but I just feel to write down my thoughts on this digital EP, because… Well, does it matter? I just wanna do so…
