Since I was quite impressed by Blood Oath and (especially) by With Hoof And Horn, I did look forward to listening to this newest album by the trio Rituals Of The Dead Hand. Well, after a couple of listens, my appreciation for this act has not disappeared; on the contrary.
Because a new Vyormouth album has been released, first some words about this one, Liminal Spaces.
…originally released in 2023…
…a tribute to Carrie, a magnificent work by the great Stephen King (and for what it’s worth: when I was a kid [a very long time ago], King was my favorite author)…
…a collaboration in between two outsider acts from Germany (noxpox) and Chile (Humanfobia)…
[review for a release that is more than two years of age, yet since it is never, ever, too late to focus on worthy stuff / and because of my appreciation for the label involved…]
Location: Medellin, Colombia
Members: Domos Aidaou (vocals & guitars), Maldito (bass), GoreRoman (guitars), Cadáver (drums)
Recorded: 11/2020-05/2021
Production, mix, mastering: Alvaro Alvarez (Nebuloza Producciones)
Location: Vancouver, British Columbia, Canada
Members: Harlow MacFarlane (Funerary Call, Grey Towers Stone Temples, Between Voices, Sistrenatus, A Thousand Plateaus etc.)
Production: Harlow MacFarlane
Mastering: James Plotkin
Artwork: Lindsey Roderick
Type: compact-disc (300 copies) in LP-like format
Duration: 35:53 minutes
Genre: Industrial Horror Ambient
Drifting into the sacred ocean of creation through the symbolic imagery of death…
Country (for what it’s worth): Russia (Ord) & U.S. (Demonologists)
Members: Ord Err (Ord), Cory Rowell (Demonologists), Evan Price (Demonologists)
Production: Ord & Demonologists
Mix: Andrey Volkov / Ord Err / Evan Price
Hold hands and take a journey into loneliness and despair. We have all been there, we just put the soundtrack together to your terror. Welcome to a place of warmth and tears.
[a review on a re-release, so I’ll keep it brief and concise]
My first acquaintance with Esoteric – and I guess it might count for the better part of us; at least those who were born almost a century ago – was almost three decades ago under the working title Epistemological Despondency. At that moment, I already was ‘into’ the more extreme areas of Mater Terra’s sonic dimensions, yet I still remember what I felt when listening to this debut: confusion, discomfort, as well as awe and respect.
I recently posted a review for the debut of Swiss act Aspaarn, Ancestral Genocides. That album - and the same goes for both demonstrational mini-albums that have been released in the meantime - brings the bare essence of universal Black Metal in its purest form.
First this: I would never try to conquer my passion for fleshly lusts (my wife would never forgive me, haha…)…
