Active for nearly 15 years, Riverboat Gamblers play on their sixth studio album once again a healthy mix of punk, grunge and rock’n’roll... A fair share of true rockers, like the exquisite “Comedians” and “Bite my tongue” make it next to impossible to sit still. But there is also a melancholy side to the band, as can be heard on “Gallows bird”.. Some tracks like “Heart conditions” and “Loser neck” are quite catchy and would be ideal to be released as singles.
My first thoughts when hearing this album: Evanescence, but less metallic.
To start with Linddsay Schoolcraft’s voice sounds very similar to Evanescence’s Amy Lee. But the comparison with Evanescence does not end there. The music also is of a similar type, gothic, but in Evanescene’s case there’s a good dose of metal in the music. Schoolcraft in contrast is mostly only using a piano and percussion, with occasionally some other instruments mixed in as well.
This South Wales based 5-piece Metalcore act was founded in late 2001, has since released a demo, 2 EPs, and a preceding debut full-length, and have toured ll over the UK and Europe with the likes of Parkway Drive, Suicide Silence, The Chariot, Everytime I Die, Becoming The Archetype, Bury Your Dead, Raging Speedhorn, Funeral For A Friend, Crowbar, and many, many more...
2013 will be, without any doubt, the year of Quentin Tarantino's new masterpiece, Django Unchained. One of his previous works of art to be seen on the big screen was Kill Bill. What does this all have to do with the new The Meteors, you could ask yourself now?
Heh...funny “info sheet” on this band found on the label's website (it's somewhat similar to the German text that came with the download promo copy of the album) : “On the night of November 6th, 1979 Black Sabbath was at their most drug addled and explosive standing. They were on tour supporting their newly released Never Say Die album...” (arguably their most heavy album ever) “...and had a night off in Los Angeles.
At first I thought I was listening to a clone of System Of A Down, but I had to rethink my first opinion afterwards. Viza is much more than a simple clone of aforementioned band. While with System Of A Down I find it hard to listen to a complete album, this was not the case with Viza.
It’s been seven years ago since the last ‘new’ album was released by this German band. They did release a compilation and a DVD in that period however.
I’d almost forgotten about the existence of this band, but I was greatly pleased by this new effort. It’s not innovative, but somehow it manages to mix epic power metal à la Manowar with classic heavy metal à la Judas Priest. Now both of the aforementioned bands have always been high on my list of preferred bands, so imagine what a combination of both styles could do.
The United Kingdom has been on top of its game the last months when it comes to delivering great metalcore music. Bands such as Bring Me The Horizon and Last Witness are just a tip of the iceberg. High Hopes is the newest upcoming act to put in that bucket. They hail from Hampshire England and released a self-titled 5-track EP.
This band was created in 2010 in Brooklyn, NY. This is their debut album, and a rather strange album it has become. It is hard to fit their music in a certain style. One moment you’re thinking you’re listening to a band that has been influenced by The Pixies, but a bit later it’s like you’re listening to a grunge or post-grunge band.
If you know this band, you surely are of my generation or older. This band was quite popular in the seventies. Mastermind behind the band was then, and is still now Thijs van Leer.
