I’ll be very short about this release. Devilment were formed by Daniel Finch in 2011. Since he was looking for a singer that could fulfil his ideas, he contacted his friend Dani Filth, you know, that pretty boy from Cradle Of Filth, who immediately agreed to co-operate. After Dani finished his part for the Cradle Of Filth-album The Manticore And Other Horrors, he did the vocals for the Devilment-demo Grotescapology.
Straddling the line between the soft and the heavy Sweden’s Year Of The Goat. Are slowly turning heads and gathering acolytes. Formed by members of GRIFTEGARD back in 2006, the band released the EP “LUCEM FERRE” in 2011 to a generally positive response? Their sound took the best elements from country mates GHOST and IN SOLITUDE fusing them with a energetic and almost positive rock sound.
Is the tenth studio album by the American stoner rock band! According to the band’s frontman Dave Wyndorf, the album is a “Reimagined” version of their previous album, 2013’s Last Patrol, featuring four new songs and two live tracks. (recorded at the AB in Brussels in 2014).
Well, why should I introduce this band? I have no idea why I should do so, for everybody knows them, these highly influential protagonists of the worldwide Death Metal scene. So I’ll skip the unnecessary crap, and go immediately to the essence, i.e. Inked In Blood.
Surgical Remission / Surplus Steel is some kind of compilation, or as Jeff Walker states ‘tying up loose ends’. This EP consists of previously unreleased songs taken from the Surgical Steel-recording sessions (though there have been some occasions to meet this stuff, like the Japanese edition, if I am not mistaken), but considered to be too good not to use.
Frontiers Records seems to be flooding the market with releases of live albums. I really don’t know what the meaning of this is, since the market of CD’s is already overflooded with releases, and on top of that the sales are in recession since years. With an economic recession that’s still not completely over, who can afford to buy all this is really a riddle to me,especially since the younger generations are also more keen to download an album, then buying it.
When I saw the name Bailey I immediately thought of Blaze Bailey, but this is an album by Nigel Bailey, frontmen of Three Lions. As a matter of fact the release of this album is only six months after the release of the Three Lions album.
So you play in a famous German metal band but you feel bored between tours and recording new albums. Some people take up golf or another hobby but drummer Stefan Scwarzmann (Accept) takes his phone and calls around to see if he can find some colleagues to jam with. Vocalist / Bassist Schmier (Destruction) guitarist Herman Frank (Accept / Victory) were all in for some fun and so The German Panzer was born. Three seasoned German musicians and a name like The German Panzer give you enough clues about what kind of music these gentlemen play.
Following The Beast is the second full album from the Swedish warriors united under the banner of Gormathon, after 2010’s Lens Of Guardian (Supernova Records). There was also an EP in 2012, Celestial Warrior, by the way, and the songs from that mini-album are part of this full length too.
I’ve always wondered what to make of this band. They have some great rock songs, but are probably best known for their global hit ‘I Want To Know What Love Is’, and also for ‘Waiting For A Girl Like You’. Both of these hits were recorded with Lou Gramm on vocals, who was the original vocalist of the band, and who left in 1990, only to return in 1992, and again leaving the band in 2003.
