Statement (as mentioned in my review for this French project’s former album as well): “taking shape from personal neurosis, fears and anxiety, Blurr Thrower aims to exhume the secret ether from the meandering of the Human soul”. Don’t come telling me, afterwards, that I did not warn you…
Season Of Mist
The Finland based act Dispyt did not disappoint at all with their debut Den Ständigt Närvarande Ångesten, originally independently released in 2017 and re-released (+ re-mastered) in 2019 via Belgium’s Immortal Frost Productions. It is that very same label that now takes care of the releasing duties for the sophomore full-length album, Under Tiden Jag Sålde Min Själ Till Satan.
If you’re known as Ebola, you are of no importance anymore since the latest form of corona-virus, SARS-CoV-2 (causing the covid-19 pandemic, for those who lived on another planetary system lately), sort of took over our Mater Terra. WTF is ‘ebola’ doing right now, since that new epidemic disease from the Far East conquers our planet???
Sons Of A Wanted Man is an act from Beringen, which is a city in Limburg, Belgium, formerly known from its coalmine sites. The band started five years and something ago, when some experienced musicians from different anti-commercial acts joined forces to bring something that makes Belgium great again: Post / Sludge Heaviness with (hairy) balls! They recorded and released some demonstrational stuff throughout the years, and did gain an impressive (local) live status, but now things will truly start, caused by Kenoma.
I am often thrilled by split albums, especially when the bands or projects involved are much appreciated by my eardrums. Well, that is exactly the case with this (untitled) split in between two French acts, Paris-based Cepheide and Time Lurker from Strasbourg. I will give a brief description on both projects’ presence immediately, but I’d like to focus, in the first place, on this album itself.
Guillaume Taliercio is known from his activities in bands like Cowards, Colossus Of Destiny and Eibon especially. The guy wrote some material during the first half of this decade, which did not exactly fit to one of the combos he is involved with, so he composed it as a personal project, which eventually got baptized as Heaume Mortal. He did it, and this isn’t but informative, under the name Guillaume Morlat, by the way.
Totally new to me, Blurr Thrower seems to be a mysterious one-(wo)man outfit from Paris, France. With the two-tracker Les Avatars Du Vide (‘avatars of the void’), Blurr Thrower did debut last year (in July, more exactly) independently and digitally (cf. their Bandcamp-page).
VOID, or better: VƆID, are an act from the city of Nantes (in the West of France, not that far away from the Atlantic shores). They started jamming, yeah, at the very beginning of this decade, and in 2012 they released a demo (Hate & Roll, limited as compact disc) and a split with side-project Blacktyde. Then… silence…
The Post / Sludge genre is permanently growing, and for sure the French scene is one of the most prominent ones worldwide. One of my most beloved acts from France is Dirge, hailing from Paris, and active for almost twenty-five years. In the earliest years, the band brought some kind of industrialised and psych-grinding Metal (also quite ‘popular’ in their home country), yet throughout the years they evolved a lot. Dirge recorded and released six albums in the meantime, but the last one, Hyperion (*), was released four and a half years ago.
There are quite some interesting acts within the French (Funeral) Doom / Doom-Death scene, and one of my preferred ones for sure is this one: Monolithe.